“It must be remembered that after all in making a picture we are endeavoring to set down on one plane various objects in such a way as to suggest an infinitude of varying planes, and hence we are justified in selecting such conditions of nature as shall help us to give the impression of truthfulness, even though it be not in particular cases absolutely true to fact.”

— Alfred Horsley Hinton

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 46

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Alfred Horsley Hinton 64

British photographer 1863–1908

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“When you wish to see whether the general effect of your picture corresponds with that of the object represented after nature, take a mirror and set it so that it reflects the actual thing, and then compare the reflection with your picture, and consider carefully whether the subject of the two images is in conformity with both, studying especially the mirror. The mirror ought to be taken as a guide… you see the picture made upon one plane showing things which appear in relief, and the mirror upon one plane does the same. The picture is on one single surface, and the mirror is the same. …if you but know well how to compose your picture it will also seem a natural thing seen in a great mirror.”

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“The louder a sound is, the more we recognize it as being near, so the louder the "tone" of objects that is, the blacker or whiter the nearer they seem; and so if in our picture we wish to give a sense of distance, we must see that the darkest shadows and highest lights are in the foreground : and because we may not be able to materially alter things as the undiscriminating process gives them to us, we must seek for and select those scenes, those subjects, in which this arrangement of highest and deepest tones do come in the foreground, and then take care that our process renders them with fidelity, so that we may not lose the sense of their nearness or the feeling of greater distance of other planes which it is intended they shall give.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 44-45

“If we want to know where the truth lies in particular cases, we have to look. What the Darwinian corpus gives us is not detailed expectations about particular organisms. It gives us something subtler and more valuable: understanding of principle. But if we must have myths, the real facts about vampires could tell a different moral tale.”

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Alfred Horsley Hinton 64

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