“Although teaching in the class is so terribly tiring... I continued my work perfunctorily in a way that nobody could notice it. Because I lived with that firm intention: in a few years I will start painting. And I saved for this by being as sober as possible with everything.”

(version in original Dutch / origineel citaat van Suze Robertson:) Al is dat klassikale lesgeven ook zóó vermoeiend.. ..ik zette mijn werk plichtmatig voort, zodat wel niemand 't aan mij kon merken. Want ik leefde op het vaste voornemen: over eenige jaren ga ik schilderen. En daar spaarde ik voor, door in alles zoo sober mogelijk te wezen.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 31

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Suze Robertson 18
Dutch painter 1855–1922

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“.. I therefore got around to painting [in Amsterdam, 1883] and that's why teaching started to become a burden for me. So then it HAD to happen now: Make or break! And I asked my dismissal at the school, threw away my 2500 florin a year, sacrificed everything, although I never made any painting yet, and certainly sold nothing at all. And my acquaintances, my family, they found me reckless and shamefully frivolous with my sacrifice to art, for which they did not felt any sympathy or understand anything of it after all.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) ..ik kwam zodoende meer aan 't schilderen [inmiddels in Amsterdam, 1883], waardoor 't lesgeven me begon te bezwaren. Dus dan MOEST het ook maar: erop of eronder! En ik vroeg mijn ontslag aan de school, gooide mijn f 2500,- per jaar weg, offerde àlles op, hoewel ik nog nooit 'n schilderij gemaakt, laat staan iets verkocht had. En m'n kennissen, m'n familie, ze vonden me roekeloos en schandelijk lichtzinnig met mijn offer aan de kunst, waarvoor ze immers niets voelden of van begrepen..
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 31

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“Today I painted my first plain air portrait at the clay pit, a little blond and blue-eyed girl. The way the little thing stood in the yellow sand was simply beautiful – a bright and shimmering thing to see. It made my heart leap. Painting people is indeed more beautiful than painting a landscape. I suppose you can notice that I am dead-tired, after this long day of hard work, cant you? But inside I am so peaceful and happy..”

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