“Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct.”

— Robert Frost

" Education by Poetry http://www.en.utexas.edu/amlit/amlitprivate/scans/edbypo.html", speech delivered at Amherst College and subsequently revised for publication in the Amherst Graduates’ Quarterly (February 1931) <br class="br">1930s

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Robert Frost265

American poet 1874–1963

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“Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?"”

Robert Frost (1874–1963) American poet

We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct. <br class="br">" Education by Poetry http://www.en.utexas.edu/amlit/amlitprivate/scans/edbypo.html", speech delivered at Amherst College and subsequently revised for publication in the Amherst Graduates’ Quarterly (February 1931) <br class="br">General sources

“[M]aybe the strings break, or maybe our ships sink, or maybe we're grass—our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose the grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications.”

John Green book Paper Towns

Quentin "Q" Jacobsen, p. 301
Paper Towns (2008)

“We cannot define anything precisely. If we attempt to, we get into that paralysis of thought that comes to philosophers, who sit opposite each other, one saying to the other, "You don't know what you are talking about!". The second one says, "What do you mean by know? What do you mean by talking?”

Richard Feynman (1918–1988) American theoretical physicist

What do you mean by you?"
volume I; lecture 8, "Motion"; section 8-1, "Description of motion"; p. 8-2
The Feynman Lectures on Physics (1964)

“All slang is metaphor, and all metaphor is poetry.”

G. K. Chesterton book The Defendant

" A Defense of Slang http://books.google.com/books?id=8WpaAAAAMAAJ&q=&quot;all+slang+is+metaphor+and+all+metaphor+is+poetry&quot;&pg=PA110#v=onepage" <br class="br">The Defendant (1901)

“A metaphor is a sign of desperation when we need another world to describe what we are feeling. Metaphors are about desperation and safety. We call out to metaphor because a metaphor makes us feel safe.”

Jericho Brown (1976) American writer

On how he employs metaphors in “Jericho Brown: ‘Poetry is a veil in front of a heart beating at a fast pace” https://www.theguardian.com/books/2018/jul/28/jericho-brown-book-interview-q-and-a-new-testament-poetry in The Guardian (2018 Jul 28)

“When we link things metaphorically we recognise similarity in difference, we think one thing in terms of attributes of another.”

Christopher Tilley (1955) British postprocessual archaeologist.

[Buchli (Ed.), Victor, Christopher, Tilley, The Material Culture Reader, 2002, Berg, 1-85973-559-2, Oxford]

“There is much poetry for which most of us do not care, but with a little trouble when we are young we may find one or two poets whose poetry, if we get to know it well, will mean very much to us and become part of ourselves…”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)
Context: There is much poetry for which most of us do not care, but with a little trouble when we are young we may find one or two poets whose poetry, if we get to know it well, will mean very much to us and become part of ourselves... The love for such poetry which comes to us when we are young will not disappear as we get older; it will remain in us, becoming an intimate part of our own being, and will be an assured source of strength, consolation, and delight.

“Islands are metaphors of the heart, no matter what poet says otherwise.”

Jeanette Winterson book Sexing the Cherry

Source: Sexing the Cherry

“Practice does not mean that whatever you do, even lying down, is zazen. When the restrictions you have do not limit you, this is what we mean by practice….
When you sit, you will sit. When you eat, you will eat…. If you say,”It doesn’t matter,” it means that you are making some excuse to do something in your own way with your small mind. It means that you are to some particular thing or way. That is not what we mean when we say, “Just to sit is enough,” or “Whatever you do is zazen.””

Shunryu Suzuki book Zen Mind, Beginner's Mind

Of course, everything you do is zazen, but if so, there is no need to say it.
Source: Zen Mind, Beginner's Mind (1973), p. 41

“You said I'm stubborn and I never give in.
I think you're stubborn 'cept you're always softening.
You say I'm selfish, I agree with you on that.
I think you're giving out way too much in fact.
I say we've only known each other one year;
You say I've known you longer my dear.
You like to be so close, I like to be alone.
I like to sit on chairs and you prefer the floor.
Walking with each other, think we'll never match at all, but we do.
But we do, but we do, but we do.”

Adele (singer) (1988) British singer-songwriter

My Same.
Song lyrics, 19 (2008)

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