“A [figure] interests me when I can bring architecture out of it.”
as quoted in ’A sculpture of interior Solitude’, by Angelo Carnafa, Associated University Presse, 1999, p. 167
Help us to complete the source, original and additional information
Aristide Maillol 18
sculptor from France 1861–1944Related quotes

"If Wishes Were Horses, How Beggars Would Ride" - Live performance (29 June 1999) http://www.youtube.com/watch?v=gyG_g73R0wY
Many Worlds Are Born Tonight (1998)

Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon

Context: I like digging into these characters that are a lot more complex, and there's a lot that isn't apparent on the surface … In a weird way, you can access all that fear and pain. … Nothing makes me happier than when somebody figures out I was in something, and then they'd seen me in something else, and had no idea it was the same person… Then I feel like I've done my job. … I've always loved finding characters that are not always the most likable ones when you first meet them, and finding a way to make them people that viewers will identify with, even against their better judgment.
As quoted in "Why Now Is a Divine Time for Alicia Witt", by Sarah Beauchamp at Huffington Post (30 May 2014) http://www.huffingtonpost.com/sarah-beauchamp/why-alicia-witt-should-be_b_5400673.html

Ackoff cited in: Carole Novak (2000) " Interview with Russell L. Ackoff http://www.ait.net/technos/tq_09/3ackoff.php". in: Technos Quartely. Fall 2000 Vol. 9 No. 3. This quote is the answer to the question, why Ackoff switched from architecture to philosophy in his graduate studies.
2000s

“I have filled 3 Mead notebooks trying to figure out whether it was Them or Just Me.”
Source: A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

1911 - 1940
Source: 'Wake of the News, Washington Square North Boasts Strangers Worth Talking to', by Archer Winston, 'New York Post', November 26, 1935

Quote of Gabo, as cited in: Simon Wilson (1991), Tate Gallery: An Illustrated Companion, Tate Gallery, London, revised edition. p. 146
undated