To Leon Goldensohn, April 6, 1946, from "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004
“I don't see why people are so snooty about Channel 5. It has some respectable documentaries about the Second World War. It also devotes considerable airtime to investigations into lap dancing, and other related and vital subjects.”
"What has the BBC come to? Toilets, that's what", Daily Telegraph, 14 March 2002, p. 29.
2000s, 2002
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Boris Johnson 119
British politician, historian and journalist 1964Related quotes
“Introduction to a Discovery Channel documentary about Idi Amin.”
Source: Beyond the Obvious: Photography for Healing (2014), p. 3
“People don't realize, you know, the Civil War, if you think about it, why?”
Trump: Why Couldn't the Civil War Have Been Avoided? http://www.nbcnews.com/politics/politics-news/trump-why-couldn-t-civil-war-have-been-avoided-n753241 (May 1, 2017)
2010s, 2017, May
Dialogue between Russell and his daughter Katharine, as quoted in My Father – Bertrand Russell (1975)
Attributed from posthumous publications
On how he’s viewed differently compared to when he was a television personality in “Reggie Yates: ‘I have late-night romantic dinners with my laptop’” https://www.theguardian.com/tv-and-radio/2018/mar/18/reggie-yates-searching-for-grenfell-missing-victims-interview in The Guardian (2018 Mar 18)
It's phony reverence. It's ridiculous.
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)
Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.