“It turns out that the energy of a gravitational field—any gravitational field—is negative. During inflation, as the universe gets bigger and bigger and more and more matter is created, the total energy of matter goes upward by an enormous amount. Meanwhile, however, the energy of gravity becomes more and more negative. The negative gravitational energy cancels the energy in matter, so the total energy of the system remains whatever it was when inflation started—presumably something very small. …This capability for producing matter in the universe is one crucial difference between the inflationary model and the previous model.”

— Alan Guth

"A Universe in Your Backyard," in Third Culture: Beyond the Scientific Revolution (1996) ed. John Brockman, p. 279.

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Alan Guth 17

American theoretical physicist and cosmologist 1947

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“So it was better to think of formulations which could explain the creation of matter without violating the law of conservation of matter…For that we used what is called as negative energy, which at that time was considered unrealistic. There was a good example of negative energy, mainly Newtonian gravity. Newtonian gravity is a negative energy system because gravitational potential energy is negative and we i. e, Fred Hoyle and me, worked out a fairly consistent method of describing this whole thing. Today what people call phantom fields, an idea which is catching up with people trying to explain some problems of the big-bang, these phantom fields are what we had proposed way back in the 1960’s.”

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Context: The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

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Context: Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated. The one cannot exist without the other, and the more harmony there is between the two, the more balance, the more active the brain cells are. Thought has set up this pattern of pleasure, pain, fear, and has been functioning inside it for thousands of years and cannot break the pattern because it has created it.

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