“Arthur Rubinstein once said to me that he couldn't think when he played, that something else took over. I also don't think when I play - something happens through me, but I am motivated by what I have thought before.”

— Arthur Rubinstein

Leonard Shure — reported in Richard Dyer (April 21, 1980) "Shure: Looking Back on the first 70 Years", Boston Globe.
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Arthur Rubinstein 15

Polish-American classical pianist 1887–1982

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“Rubinstein was wonderful. For three days he spent hours playing the piano in my room, and then asking me what I thought of this and that. After a while he told my mother that I had talent and he thought I should be a musician.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Antonio de Almeida — reported in Paul Hume (July 28, 1981) "Odyssey Of a Conductor", The Washington Post, p. C4.
About

“Sure, sure I wanted out of this game. But I don't care what these writers say. My neck was wrenched about two weeks ago and I aggravated it when I continued to play. But I didn't want to miss any games when we are trying to win the pennant. We caught the Mets and we came here tonight leading them, and I think I had something to do with it. Like I say, I don't care what these writers think. They never believe me when I say I hurt. One time before, they wrote so much about me just imagining my back was hurting me that the manager decided to have me checked over by a specialist. I never did see the report, but Danny said he had been assured my complaint was legitimate, and that he was sorry there had been a misunderstanding. I couldn't know what he meant, but after that he never failed to ask about my back before he put my name in the lineup for the second game of doubleheaders.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "All-Star Case of Roberto Clemente" by Sam Lacy, in The Baltimore Afro-American (July 21, 1970)
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

“When I was a little kid, I wanted to be a baseball player. This is something I think about. The more I think about it, I'm convinced that God wanted me to play baseball.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

From A Conversation with Clemente, hosted by Sam Nover (aired October 8, 1972 on WIIC-TV in Pittsburgh); reproduced in Roberto Clemente: A Video Tribute https://www.youtube.com/watch?v=PnyDAZl7lpk&list=PLPPJ9g3R1ziv1H23L0rQAu_-9c7cL2qzZ#t=56 (1973)
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“When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me”

Alice Cooper (1948) American rock singer, songwriter and musician

KNAC interview (2005)
Context: In the early days when I was drinking... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me... I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice.. If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here.

“I liked him [Arthur Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Vladimir Horowitz (1903–1989) American classical pianist and composer

and I said, "Yes, I do mean it."
quoted in Harold C. Schonberg, Horowitz: his life and music

“I don't think I shall ever forget my first sight of Hercule Poirot. Of course, I got used to him later on, but to begin with it was a shock, and I think everyone else must have felt the same! I don't know what I'd imagined — something like Sherlock Holmes — […] Of course, I knew he was a foreigner, but I hadn't expected him to be quite as foreign as he was, if you know what I mean. When you saw him you just wanted to laugh! He was like something on the stage or at the pictures. […] He looked like a hairdresser in a comic play!”

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“Barcelona gave me everything, they took a chance on me when nobody else would. I never have any desire to play for anybody else, I will be here for as long as they want me.”

Lionel Messi (1987) Argentine association football player

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“I don't think pressure, that word, is on his mind. He loves to play hockey and enjoys the way he's playing. He's kind of made me re-establish my thinking.”

Alexander Ovechkin (1985) Russian ice hockey player

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“My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.”

Nathan Lane (1956) American actor

Ron Weiskind, Pittsburgh Post-Gazette (December 21, 1997) "Lane can't stop his career or his repartee", Mobile Register, p. E3.

“Arthur Rubinstein once said to me that he couldn't think when he played, that something else took over. I also don't think when I play - something happens through me, but I am motivated by what I have thought before.”

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Arthur Rubinstein 15

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