John DeFrancis book The Chinese Language: Fact and Fantasy
The Chinese Language: Fact and Fantasy (1984, p. 140) http://www.pinyin.info/readings/texts/ideographic_myth.html <br class="br">The Chinese Language: Fact and Fantasy (1984)
in a letter to Alfred H. Barr, Jr. 6 November, 1955; as quoted in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 34
Baziotes' quote is referring to his painting 'Pompeii', Baziotes painted in 1955
1950s
John DeFrancis book The Chinese Language: Fact and Fantasy
The Chinese Language: Fact and Fantasy (1984, p. 140) http://www.pinyin.info/readings/texts/ideographic_myth.html <br class="br">The Chinese Language: Fact and Fantasy (1984)
George Peacock (1791–1858) Scottish mathematician
Vol. II: On Symbolical Algebra and its Applications to the Geometry of Position (1845) Ch. XV, p. 59
A Treatise on Algebra (1842)
“Art is the creation of forms symbolic of human feeling.”
Susanne K. Langer (1895–1985) American philosopher
Source: Feeling and Form (1953), Ch. 3, p. 40
“Honour both spirit and form, the sentiment within as well as the symbol without.”
Ramakrishna (1836–1886) Indian mystic and religious preacher
Source: Sayings of Sri Ramakrishna (1960), p. 308
George Peacock (1791–1858) Scottish mathematician
Vol. I: Arithmetical Algebra Preface, p. vi-vii
A Treatise on Algebra (1842)
“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”
Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist
The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees
“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”
Evelyn Waugh (1903–1966) British writer
Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees
Misattributed
August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter
Quote in Macke's letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145
Caspar David Friedrich (1774–1840) Swedish painter
Variant translation: Close your bodily eye, that you may see your picture first with the eye of the spirit. Then bring to light what you have seen in the darkness, that its effect may work back, from without to within.<br>Quoted in The Romantic Imagination: Literature and Art in England and Germany (1996) by Fredrick Berwick and Jürgn Klein, and in "Culture: Caspar D. Friedrich and the Wasteland" by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/ <br class="br">undated <br class="br">Context: Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.