
Diary (14 July 1889)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Source: My Share Of The Task (2013), p. 13
Diary (14 July 1889)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
“Do not praise an undeserving man because of his riches.”
The Lives and Opinions of Eminent Philosophers (c. 230)
“Some condemnations praise; some praise damns.”
Il y a des reproches qui louent et des louanges qui médisent.
Maxim 148.
Reflections; or Sentences and Moral Maxims (1665–1678)
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. III : The Master, p. 63
Context: To present a visible symbol to the eye of another, is not necessarily to inform him of the meaning which that symbol has to you. Hence the philosopher soon superadded to the symbols explanations addressed to the ear, susceptible of more precision, but less effective and impressive than the painted or sculptured forms which he endeavored to explain. Out of these explanations grew by degrees a variety of narrations, whose true object and meaning were gradually forgotten, or lost in contradictions and incongruities. And when these were abandoned, and Philosophy resorted to definitions and formulas, its language was but a more complicated symbolism, attempting in the dark to grapple with and picture ideas impossible to be expressed. For as with the visible symbol, so with the word: to utter it to you does not inform you of the exact meaning which it has to me; and thus religion and philosophy became to a great extent disputes as to the meaning of words. The most abstract expression for Deity, which language can supply, is but a sign or symbol for an object beyond our comprehension, and not more truthful and adequate than the images of Osiris and Vishnu, or their names, except as being less sensuous and explicit We avoid sensuousness, only by resorting to simple negation. We come at last to define spirit by saying that it is not matter. Spirit is — spirit.
On the concept of being hyper-visible in “In 'Thick,' Tressie McMillan Cottom Looks At Beauty, Power And Black Womanhood In America” https://www.wbur.org/onpoint/2019/01/21/in-thick-tressie-mcmillan-cottom-looks-at-beauty-power-and-black-womanhood-in-america in WBUR (2019 Jan 21)
“What occasion had you to praise me? praise is often hurtful to those on whom it is bestowed.”
Letter IV : Heloise to Abelard
Letters of Abelard and Heloise
Context: What occasion had you to praise me? praise is often hurtful to those on whom it is bestowed. A secret vanity springs up in the heart, blinds us, and conceals from us wounds that are ill cured. A seducer flatters us, and at the same time, aims at our destruction. A sincere friend disguises nothing from us, and from passing a light hand over the wound, makes us feel it the more intensely, by applying remedies. Why do you not deal after this manner with me? Will you be esteemed a base dangerous flatterer; or, if you chance to see any thing commendable in me, have you no fear that vanity, which is so natural to all women, should quite efface it? but let us not judge of virtue by outward appearances, for then the reprobates as well as the elect may lay claim to it. An artful impostor may, by his address gain more admiration than the true zeal of a saint.
“…in this world, often, there is nothing to praise but no one to blame…”
“On Preparing to Read Kipling”, p. 135
A Sad Heart at the Supermarket: Essays & Fables (1962)