“As the story unfolds it is at 55 Dropsie Avenue where Frimme Hersh deals with God; where the street singer fails to grasp his chance for gory. It is on Dropsie Avenue where a diminutive enemy defeats the super, and Willie comes of age. It is in an alley of Dropsie Avenue where Jacob Shtarkah tries to find the meaning of life. It is also on Dropsie Avenue, finally, where I undertake the biography of the street itself, through the physical evolution of the block, the rise and fall of the tenement building at No.55 and the ethnic and social changes of the stream of occupants.”

HIV/AIDS - Hepatitis B Inquiry (Part II): Dissenting Statement by Mr Stewart Leggett MP (1997)

Source: Farewell, My Lovely (1940), chapter 1

As quoted in O₂ : Breathing New Life Into Faith (2008) by Richard Dahlstrom, Ch. 4 : Artisans of Hope: Stepping into God's Kingdom Story, p. 63; this source is disputed as it does not cite an original document for the quote. It is also used in <i> The White Rose </i> (1991) by Lillian Garrett-Groag, a monologue during Sophie's interrogation.
Disputed
Context: The real damage is done by those millions who want to "survive." The honest men who just want to be left in peace. Those who don't want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won't take measure of their own strength, for fear of antagonizing their own weakness. Those who don't like to make waves — or enemies. Those for whom freedom, honor, truth, and principles are only literature. Those who live small, mate small, die small. It's the reductionist approach to life: if you keep it small, you'll keep it under control. If you don't make any noise, the bogeyman won't find you. But it's all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.

Source: Greybeard (1964), Chapter 1 “The River: Sparcot” (p. 21)

The Dilemma of Determinism (1884) p.155
1880s

Kaminsky, Denise, Aug 2006, "Carson Grant: Actor/Artist- A Lifetime of Art", Denise's Interviews and Media News, p. 1
About his thought on the Arts

Source: The Hero With a Thousand Faces

Comment on why his hit NBC TV show couldn't get a national sponsor. (1956) Quoted in article http://www.songwritershalloffame.org/award_recipient_detail.asp?awardRecipientId=44&ceremonyId=4 at the Songwriters Hall of Fame

"New York Tendaberry"
Lyrics