“Just meeting Rubinstein was a thrill for any pianist. He was a real link to tradition in western piano music. He was a friend of Rachmaninoff and he knew Debussy. The man was an inspiration to three generations of pianists.”

— Arthur Rubinstein

Emanuel Ax — reported in Joseph McLellan (December 21, 1982) "Concert Pianist Arthur Rubinstein Dies at 95", The Washington Post, p. A1.
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Arthur Rubinstein 15

Polish-American classical pianist 1887–1982

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“Rubinstein was a marvelous pianist, but entirely different than Horowitz. Rubinstein needed a piano where he would feel some resistance in the action, and which had a much warmer or broader sound, or a deeper, darker sound. A Horowitz piano is much more focused; the sound is much more brilliant.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Franz Mohr, A Conversation with Bruce Duffie http://www.bruceduffie.com/mohr.html (1992)
About

“He was, this smoldering, passionate young pianist, generous, lovable, deeply gentle of heart.”

William Kapell (1922–1953) American classical pianist

Claudia Cassidy, " In Memory of William Kapell, Who Left Us Richer in Music http://www.williamkapell.com/articles/cassidy.html", Chicago Tribune (October 30, 1953).
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“Interesting pianist, but I think he is just a little bit meshuga.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

On Arturo Benedetti Michelangeli, quoted in Harold C. Schonberg, Horowitz: his life and music

“Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one – that is, from the inside, as an organic and felt creative process.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Neville Cardus The Delights of Music (London: Victor Gollancz, 1966) p. 90.
Criticism

“With his masterclass on piano playing, László Gyimesi helps to preserve the great romantic tradition of piano playing. A relaxed piano technique without unnecessary tensions allows us to express our thoughts and feelings almost directly. Every pianist can come closer to this ideal. His masterclass is extremely valuable in that respect – it can unleash great potential in every pianist.”

László Gyimesi (1948) Hungarian musician

Martin Stadtfeld ( Hungarian Piano Tradition http://onlinepianomasterclass.com)
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“Many pianists are great, but Pogorelich is unique, like Rubinstein, their sound is instantly recognisable they both go beyond the notes.”

Ivo Pogorelić (1958) Croatian pianist

Gerald Moore, critique of Pogorelć's album Domenico Scarlatti - Sonaten

“I liked him [Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

and I said, "Yes, I do mean it."
Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music (1992)
About

“Rubinstein was wonderful. For three days he spent hours playing the piano in my room, and then asking me what I thought of this and that. After a while he told my mother that I had talent and he thought I should be a musician.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Antonio de Almeida — reported in Paul Hume (July 28, 1981) "Odyssey Of a Conductor", The Washington Post, p. C4.
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“The critics are occasionally pleased to compliment a pianist by saying that he plays in the grand style. Exactly what do they mean by that phrase? In the broadest sense, they mean a style of playing which penetrates deeper than the physical conquering of the piano. It concerns itself with the release of music. The “grand style” moved listeners through interpretation.”

Benno Moiseiwitsch (1890–1963) British musician

Playing in the Grand Style (1950)

“I liked him [Arthur Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Vladimir Horowitz (1903–1989) American classical pianist and composer

and I said, "Yes, I do mean it."
quoted in Harold C. Schonberg, Horowitz: his life and music

“Just meeting Rubinstein was a thrill for any pianist. He was a real link to tradition in western piano music. He was a friend of Rachmaninoff and he knew Debussy. The man was an inspiration to three generations of pianists.”

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Arthur Rubinstein 15

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