“I still think that Boccioni was a great artist and a passionate man. I like El Lissitsky's painting very much. But Mondrian that great merciless artist, is the only one who had nothing left over. The point they all had in common was to be both inside and outside at the same time. A new of likeness!... for me to be inside and outside is to be in an unheated studio with broken windows in the winter.”

— Willem de Kooning

De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's

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Willem de Kooning 38

Dutch painter 1904–1997

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“The point they (Lissitzky, Rodchenko, Tatlin, Gabo, the neo-Plasticists, and so on) all had in common was to be inside and outside at the same time... For me, to be inside and outside is to be in an unheated studio with broken windows in the winter, or taking a nap on somebody's porch in the summer.”

Willem de Kooning (1904–1997) Dutch painter

Willem de Kooning, MOMA Bull, pp. 7,6, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 134.
1980's

“The artist who paints the emotions creates an enclosed world… the picture… which, like a book, has the same interest no matter where it happens to be. Such an artist, we may imagine, spends a great deal of time doing nothing but looking, both around him and inside him.”

Pierre Bonnard (1867–1947) French painter and printmaker

“I rekindled a friendship I hadn't had in a long time and I was reminded of all the parts of me that had left. I was like, 'Wow, I love to paint and to write, and to be outside...'”

Lauren Jauregui (1996) Cuban-American singer and songwriter

Billboard Cover: Fifth Harmony on Surviving Pop-Star Fame and 'Finally Having a Damn Voice', Billboard, May 5, 2016 https://www.billboard.com/articles/news/cover-story/7356880/fifth-harmony-billboard-cover-story-fame-challenges-new-album-the-x-factor,

“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1967, repr. 1970).

“If an egg is broken by outside force, life ends. If broken by inside force, life begins. Great things always begin from inside.”

Unknown author

“Do you think that you're beautiful?
Inside or outside? Mmmmm… outside I don't think about that too much because I realise that's all very superficial. I'm more concerned about inside, and inside I think I'm alright… I'm OK inside. I don't think I'm perfect and I don't call myself beautiful but I'm definitely not ugly inside. I've got friends who aren't that so called pleasant to look at but inside I think they're beautiful.”

Kim Wilde (1960) English pop singer

[http://www.kimwilde.com/articles/1981/00244/ New Musical Express (19 September 1981)
Interviews

“[on becoming an artist] It is my profession, yes [ to be an artist] but a calling.. that a little bit pathetic, a little bit bombastic. I think it was much more natural... I Thought – when I was a child – the only method to be not in the world but outside of the world is to be an artist. I feel me outside, yes..”

Anselm Kiefer (1945) German painter and sculptor

n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005

“I follow the works of Iranian artists even now, sometimes in Paris or in New York and I am happy Iranian artists are still great. Whether they are men or women, they have always been great. Despite all the pressure and censorship inside the country, they haven't been able to stop the creativity of our artists. Some have to work underground, like in cinema, and sometimes their work has political messages, but the number of our artists now has definitely grown in comparison to the past.”

Farah Pahlavi (1938) Empress of Iran

Former queen of Iran on assembling Tehran's art collection http://www.guardian.co.uk/world/2012/aug/01/queen-iran-art-collection, The Guardian, (August 1, 2012).
Interviews

“No, the artists are in a state of belated Age of Reason. They want to get hold of things, like Mondrian. He was a fantastic artist, but now when we read his ideas and his idea of Neo-Plasticism [= De Stijl ] – pure plasticity – it’s kind of silly, I think. I mean, not for him, but I think one could spend one's life having this desire to be in and outside at the same time. He could see a future life and a future city – not like me, who am absolutely not interested in seeing the future city. I'm perfectly happy to be alive now.”

Willem de Kooning (1904–1997) Dutch painter

Quote of De Kooning from an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 49
1960's

“My insides don't match up with my outsides. -Do anyone's inside and outsides match up? -I don't know. I'm only me. -Maybe that's what a person's personality is: the difference between the inside and the outside.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Oskar during a visit to his therapist, Dr. Fein
"Happiness, Happiness" (p. 201)
Source: Extremely Loud and Incredibly Close (2005)
Context: "I feel too much. That's what's going on." "Do you think one can feel too much? Or just feel the wrong ways? "My insides don't match up with my outsides." "Do anyone's inside and outsides match up?" "I don't know. I'm only me." "Maybe that's what a person's personality is: the difference between the inside and the outside." "But it's worse for me." "I wonder if everyone thinks it's worse for him." "Probably. But it really is worse for me."

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Willem de Kooning 38

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