“[On his process for writing novels:] I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.”

— John Irving

A modern novelist of Dickensian tradition, Spotlight, Russia Today, January 24, 2009 http://www.youtube.com/watch?v=ost0Gyl2V1I,

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John Irving 97

American novelist and screenwriter 1942

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

“I try to write to the story, as opposed to writing for the reader…”

Mariko Tamaki (1975) Canadian writer and artist

On writing characters in “We Read To Challenge Ourselves: An Interview With Mariko Tamaki” https://comicsalliance.com/mariko-tamaki-pride-week-interview/ in Comics Alliance (2016 Jun 24)

“I don’t write stories to tell readers what to think, or even tell them what I think; I write stories to show me what I think. Writing is always a journey of discovery that way, as suspenseful for me as I hope it will be for the audience.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Geek Speak Magazine Interview (2010)

“I don’t think it’s a good idea for a writer to psychoanalyze herself or try to explain why she writes what she writes—it’s a reductive way of looking at oneself and one’s work. Readers really participate in the writing of a book. As a writer I’m giving the reader signs to help create the story with me. The reader is bringing his or her own memories, intelligence, preconceptions, prejudices, likes, dislikes. So the characters in your copy of the book are going to look and sound different than in mine. I have my own ideas, but once the book is out there it’s not really mine anymore, and my own idea isn’t any more valid than yours. And then I begin the long process of disengaging.”

Donna Tartt (1963) American writer

On how writers should avoid analyzing their own work in “Donna Tartt on The Goldfinch, Inspiration, and the Perils of Literary Fame” https://www.townandcountrymag.com/leisure/arts-and-culture/a29022016/donna-tartt-goldfinch-interview/ in Town & Country (2019 Sep 12)

“I have never had trouble with conflicting interpretations of my work. Once the story is published, it belongs to the reader.”

Michael Moorcock (1939) English writer, editor, critic

Introduction (p. viii)
The Wrecks of Time aka The Rituals of Infinity (1967)

“A reader told me recently, in London, said that 'well, I read that you write the last sentence first, so I always read your last sentence first.' And I said, 'oh, no, you're not supposed to do that.”

John Irving (1942) American novelist and screenwriter

“I'm not a fast reader. I like to linger over each sentence, enjoying the style. If I don't enjoy the writing, I stop.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“It is very hard to write this way, beginning things backward, and the author hopes the reader will realize this and not grudge this little word of explanation. I know I would be very glad to read anything the reader ever wrote, and I hope the reader will make the same sort of allowances. If any of the readers would care to send me anything they ever wrote, for criticism or advice, I am always at the Café du Dôme any afternoon, talking about Art with Harold Stearns and Sinclair Lewis, and the reader can bring his stuff along with him, or he can send it to me care of my bank, if I have a bank.”

Ernest Hemingway book The Torrents of Spring

Part 2, Ch. 5
Harold Stearns was a once-well-known New York writer and intellectual whom Hemingway knew when they were both living in Paris.
The Torrents of Spring (1926)

“Historical novels are, without question, the best way of teaching history, for they offer the human stories behind the events and leave the reader with a desire to know more.”

Louis L'Amour (1908–1988) Novelist, short story writer

Source: Education of a Wandering Man

“Reality is not always probable, or likely. But if you're writing a story, you have to make it as plausible as you can, because if not, the reader's imagination will reject it.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Discussion published in the Columbia Forum and later quoted in Worldwide Laws of Life : 200 Eternal Spiritual Principles (1998) by John Templeton

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