“…but record and recognition are not pictorial qualities.”

Source: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 19

Introduction
Space—Time—Matter (1952)

Source: Squaring the Circle (1913), p. 12

The Autobiography of a Sexually Emancipated Communist Woman (1926)
Context: If I have attained something in this world, it was not my personal qualities that originally brought this about. Rather my achievements are only a symbol of the fact that woman, after all, is already on the march to general recognition. It is the drawing of millions of women into productive work, which was swiftly effected especially during the war and which thrust into the realm of possibility the fact that a woman could be advanced to the highest political and diplomatic positions. Nevertheless it is obvious that only a country of the future, such as the Soviet Union, can dare to confront woman without any prejudice, to appraise her only from the standpoint of her skills and talents, and, accordingly, to entrust her with responsible tasks. Only the fresh revolutionary storms were strong enough to sweep away hoary prejudices against woman and only the productive-working people is able to effect the complete equalization and liberation of woman by building a new society.

Space: What love's got to do with it - The Space Review (2004)

section 15
The Myth of Modernity (1946)

Prologue.
Invisible Man (1952)
Context: I am one of the most irresponsible beings that ever lived. Irresponsibility is part of my invisibility; any way you face it, it is a denial. But to whom can I be responsible, and why should I be, when you refuse to see me? And wait until I reveal how truly irresponsible I am. Responsibility rests upon recognition, and recognition is a form of agreement.

http://www.artgarfunkel.info/more.html

Source: Archbishop Pozzo: SSPX Continuing Dialogue With Holy See https://www.ncregister.com/blog/archbishop-pozzo-sspx-continuing-dialogue-with-holy-see (July 2016)