“[About Mozart] In relation to God he is like a child who brings everything to his father: the stones from the street and peculiar sticks and little plants and even once a ladybug; and with him all of these things are melodies, melodies that he brings to God, melodies that he suddenly knows when he is inside of prayer. And when he has finished praying, and he is no longer on his knees and no longer has his hands folded, then he sits there at the piano, or he sings with an incredible childlikeness, and in doing so he no longer has any idea whether he is playing something for God or whether it is God who is using him to play something at once for himself and for Mozart. There is a great conversation between Mozart and God that is the purest prayer, and this entire conversation is nothing but music.”

Source: The Sayings and Teachings of the Great Mystics of Islam (2004), p. 84

Liner Notes

Source: De potentia (c. 1265–1266) q. 7, art. 5, ad 14

"Interview with Patrick Warburton" by Josh Bell at AboutDOTcom (2 March 2009)]
Context: It is more inspirational, I’d say, with the Tick. Because once you grasp or realize who this guy is, the fact that you’re inventing a world and an atmosphere and a persona that, really, his past is a mystery. So everything that he looks at or perceives can be brand new, and he can get really, really excited and intrigued by something that’s just a commonality for everybody else, that’s humorous. He’s like a child; everything’s new. So you just bring that attitude to him, a childlike attitude of discovering things.
Yet you’ve got this great writing, where everything’s mixed metaphor, and he’s articulate, and he describes everything in a new way. It’s inspiring as an actor to be able to go to that place. Anything you do is not going to be wrong. All you’ve got to do is just be inventive with this character and have fun. That’s the definition of an ingenious character. To get to step into the shoes of the Tick, I just felt that was an honor. Once again, I will reiterate that Fox apparently didn’t have a clue.

Source: Quintana of Charyn

George Bernard Shaw, in Music and Letters, January 1920.
Criticism

Angelus (10 September 1978) http://www.vatican.va/holy_father/john_paul_i/angelus/documents/hf_jp-i_ang_10091978_en.html; in an audience with Philippine bishops on 28 September 1978, he further elaborated: According to tales told by ancient men to attain their political objectives "God is the Father." According to what we really know "God is the Mother."
Context: We are the objects of undying love on the part of God. We know: he has always his eyes open on us, even when it seems to be dark. He is our father; even more he is our mother. He does not want to hurt us, He wants only to do good to us, to all of us. If children are ill, they have additional claim to be loved by their mother. And we too, if by chance we are sick with badness, on the wrong track, have yet another claim to be loved by the Lord.

Variant: Every heart has its own melody.
Source: Clockwork Princess