“It is odd that Edouard [Manet] with his reputation as an innovator, who has survived such storms of criticism, should suddenly be seen as a classicist. It just proves the imbecility of the public, for he has always been a classic painter.”

— Berthe Morisot

Quote of Berthe Morisot, 1884; as cited in Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, pp. 124-125
1881 - 1895

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Berthe Morisot 36

painter from France 1841–1895

Related quotes

“If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.”

Berthe Morisot (1841–1895) painter from France

In a letter to her aunts, 1876; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, p. 155
Berthe wrote this letter after the second Impressionist exhibition of April 1876 where she was participating with 19 pictures (Monet with 18!)
1871 - 1880

“He (the painter Manet) hits of the tone.... but his work lacks unity and temperament too.”

Paul Cézanne (1839–1906) French painter

ca. 1863
Quote in: Cézanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 27
Quotes of Paul Cezanne, 1860s - 1870s

“Foolish critics often betray their ignorance by saying that a painter or a writer "only copies what he has seen, or puts down what he has known." They forget that no man imagines what he has not seen or known, and that it is in the selection of the characteristic details that the artistic power is manifested.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

“How I miss you here [his friend in Paris - Manet visited Madrid and the famous museums there], and how delighted you would have been to see Velázquez, who in himself alone is worth the journey... He is the painter of painters. He did not astonish me, but delighted me.”

Edouard Manet (1832–1883) French painter

Quote from Manet's letter to Fantin-Latour, Madrid 1865, as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, (translation Daphne Woodward), p. 118
1850 - 1875

“Volumes might be written upon the follies and imbecilities of great men. A full rounded man — a man of sterling sense and natural logic — is just as rare as a great painter, poet, or sculptor. If you tell your friend that he is not a painter, that he has no genius for poetry, he will probably admit the truth of what you say, without feeling that he has been insulted in the least. But if you tell him that he is not a logician, that he has but little idea of the value of a fact, that he has no real conception of what evidence is, and that he never had an original thought in his life, he will cut your acquaintance.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Great Infidels (1881)

“It is this book ['The Imitation of Christ'] that has helped me lead my life which such serenity and has always left me with a contended heart. I has taught me that men should not puff themselves up with pride, whether they are emperors, adding this or that province tot heir empires, or painters who gain a reputation.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote, recorded by Madame Aviat; as cited in Corot, Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 272-73 – quote 69
1860s