“Art has no end in view save the emphasising and recording in the most effective way some strongly felt interest or affection.”

Great Art and Sham Art
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

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Samuel Butler232

novelist 1835–1902

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“I think I had been badly affected by.... the romance of Abstract Expressionism... particularly as it filtered out to places like Princeton and around the country, which was the idea of the 'artist as a terrifically sensitive ever-changing, ever ambitious person', particularly [described] in magazines like 'Art News' and 'Arts', which I read religiously.. I began to feel very strongly about finding a way that wasn't so wrapped up in the hullabaloo.... something that stable in a sense, something that wasn't constantly a record of your sensitivity, a record of flux.”

Frank Stella (1936) American artist

reacting on a question about 'gesture' panting
Quote in: Frank Stella, William S. Rubin, Museum of Modern Art, New York, 1970, p. 13
Quotes, 1960 - 1970

“It cannot be emphasized too strongly that art, as such, does not "pay," to use an American expression – at least, not in the beginning – and that the art that has to pay its own way is apt to become vitiated and cheap.”

Antonín Dvořák (1841–1904) Czech composer

"Music in America", Harper's Monthly Magazine, February 1895. http://web.archive.org/20050103002435/homepage.mac.com/rswinter/DirectTestimony/Pages/129.html

“The political cant of a country is naturally and always most strongly in evidence on the side of the vested interests.”

Ronald Syme book The Roman Revolution

The Roman Revolution ([1939] 2002), ch. 11.
Context: The political cant of a country is naturally and always most strongly in evidence on the side of the vested interests. In times of peace and prosperity it commands a wide measure of acquiescence, even of belief. Revolution rends the veil.

“Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas everyday, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2007)

“In art, immorality cannot exist. Art is always sacred even when it takes for a subject the worst excesses of desire; since it has in view only the sincerity of observation, it cannot debase itself. A true work of art is always noble, even when it translates the stirrings of the brute, for at that moment, the artist who has produced it had as his only objective, the most conscientious rendering possible of the impression he has felt.”

Auguste Rodin (1840–1917) French sculptor

Albert Edward Elsen (1985). The Gates of Hell by Auguste Rodin. p. 131
1930s and later

“The main trouble with avant-garde art and literature, from the point of view of fascists and Stalinists, is not that they are too critical, but that they are too "innocent," that it is too difficult to inject effective propaganda, that kitsch is more pliable to this end.”

Clement Greenberg (1909–1994) American writer and artist

"Avant-Garde and Kitsch" http://www.sharecom.ca/greenberg/kitsch.html (1939), p. 19 <br class="br">1960s, Art and Culture: Critical Essays, (1961)

“At about the age of six or seven, I realized that of all the invisible powers the one I was destined to be most strongly affected and dominated by was music.”

Hermann Hesse book Gertrud

Source: Gertrude (1910), p. 4
Context: At about the age of six or seven, I realized that of all the invisible powers the one I was destined to be most strongly affected and dominated by was music. From that moment on I had a world of my own, a sanctuary and a heaven that no one could take away from me. Oh, music! A melody occurs to you; you sing it silently, inwardly only; you steep your being in it; it takes possession of all your strength and emotions, and during the time it lives in you, it effaces all that is fortuitous, evil, coarse and sad in you; it brings the world into harmony with you, it makes burdens light and gives wings to to depressed spirits.

“Art is the most effective mode of communications that exists.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

“…this indeed is one of the most mischievous effects of the proceedings of the Radicals, that by abusing popular privileges they establish precedents for abridging them. My views of the state of the country are more and more gloomy. Everything is tending, and has for some time been tending, to a complete separation between the higher and lower orders of society; a state of things which can only end in the destruction of liberty.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Letter to Lord Brougham (25 August 1819) in the aftermath of the Peterloo Massacre, quoted in E. A. Smith, Lord Grey. 1764-1845 (Alan Sutton, 1996), p. 217.
1810s

“To say that only those businesses affected with a public interest may be regulated is but another way of stating that all those businesses which may be regulated are affected with a public interest.”

Harlan F. Stone (1872–1946) United States federal judge

Tyson and Brother v. Banton, 273 U.S. 418, 451 (1927).

“Art has no end in view save the emphasising and recording in the most effective way some strongly felt interest or affection.”

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Samuel Butler232

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