“Strong language in Larkin is put in not to shock the reader but to define the narrator's personality. When Larkin's narrator in 'A Study of Reading Habits' (in The Whitsun Weddings) said 'Books are a load of crap' there were critics - some of them, incredibly, among his more appreciative - who allowed themselves to believe that Larkin was expressing his own opinion. (Kingsley Amis had the same kind of trouble, perhaps from the same kind of people, when he let Jim Dixon cast aspersions on Mozart.) It should be obvious at long last, however, that the diction describes the speaker.”

— Clive James

'Philip Larkin: 'Wolves of Memory'
Essays and reviews, At the Pillars of Hercules (1979)

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Clive James 151

Australian author, critic, broadcaster, poet, translator an… 1939–2019

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“His last words were spoken to a woman, to the nurse who was holding his hand. Perhaps we all have the last words ready when we go into the last room. Perhaps the thing about last words is not how good they are, but whether we can get them out. What Larkin said faintly was, "I'm going to the inevitable."”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

“Schnabel said that Beethoven's late piano sonatas are music better than could be played. Larkin's best poems are poetry better than can be said, but sayability they sumptuously offer. Larkin demands to be read aloud. His big, intricately formed stanzas, often bridging from one to the next, defeat the single breath but always invite it. As you read, the ideal human voice speaks in your head. It isn't his: as his gramophone records prove, he sounded like someone who expects to be interrupted. It isn't yours, either. It's ours.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Philip Larkin: Somewhere becoming rain'
Essays and reviews, The Dreaming Swimmer (1993)

“They can't ban or burn Larkin's books. What they can embark on is the more genteel process of literary demotion.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

“Joseph Brodsky, writing about Mandelstam, called lyricism the ethics of language. Larkin's wit is the ethics of his poetry. It brings his distress under our control. It makes his personal unhappiness our universal exultation. Armed with his wit, he faces the worst on our behalf, and brings it to order.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'On Larkin's Wit'
Essays and reviews, From the Land of Shadows (1982)

“On the Death of Jim Larkin

Not with public words now can his greatness
Be told to the children, for he was more
Than a labour-agitating orator —
The flashing flaming sword merely bore witness
To the coming of the dawn. ‘Awake and look!
The flowers are growing for you, and wonderful trees,
And beyond are not the serf’s grey docks, but seas —
Excitement out of the creator’s poetry book.

When the Full Moon’s in the River the ghost of bread
Must not haunt all your weary wanderings home.
The ships that were dark galleys can become
Pine forests under the winter’s starry plough
And the brown gantries will be the lifted hand
Of man the dreamer whom the gods endow.’

And thus I hear Jim Larkin shout above
The crowd who wanted him to turn aside
From Reality coming to free them. Terrified
They hid in the clouds of dope and would not move.
They ate the opium of the murderer’s story
In the Sunday newspapers; they stood to stare
Not at a blackbird, but at a millionaire
Whose horses ran for serfdom’s greater glory.

And Tyranny trampled them in Dublin’s gutter,
Until Larkin came along and cried
The call of Freedom and the call of Pride,
And Slavery crept to its hands and knees,
And Nineteen Thirteen cheered from out the utter
Degradation of their miseries.”

Patrick Kavanagh (1904–1967) poet

Source: https://www.youtube.com/watch?v=ND1NCf1ZRFM

“The writer does not get from his work as he writes and reads it the same aesthetic shock that the reader does; and since the writer is so accustomed to reading other stories, and having them produce a decided effect upon him, he is disquieted at not being equally affected by his own.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Ten Books," The Southern Review (Autumn 1935) [p. 8]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Narrated Abu Said Al-Khudri: Somebody asked, "O Allah's Apostle! Who is the best among the people?" Allah's Apostle replied "A believer who strives his utmost in Allah's Cause with his life and property." They asked, "Who is next?" He replied, "A believer who stays in one of the mountain paths worshipping Allah and leaving the people secure from his mischief."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Sunni Hadith

“In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion. Also the sense, as Motion invokes his like-minded contemporaries, that Larkin is being judged by a newer, cleaner, braver, saner world. … Motion is extremely irritated by Larkin's extreme irritability. He's always complaining that Larkin is always complaining.

“The preface is usually that part of a book which can most safely be omitted. It usually represents that efflorescent manifestation of egotism which an author, after working hard, cannot spare either himself or his readers. More often than not the readers spare themselves. When, however, the writer is a daily perpetrator of high treason, his introductory remarks may command from the English public that kind of awful veneration with which £5000 confessions are perused in the Sunday newspapers, quite frequently after the narrator has taken his last leap in the dark.”

William Joyce (1906–1946) British fascist and propaganda broadcaster

William Joyce, Twilight over England (Internationaler Verlag, Berlin, 1940), preface.

“Reading those books is all he does these days. I think he’s even read some of them. What kind of disturbed individual would read the same book twice, I ask you?”

Derek Landy (1974) Irish children's writer

Source: Last Stand of Dead Men

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Clive James 151

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