“One of the key topics, for me, is a study of the individual in relation to crowds and to power. A film essay on crowd psychology would avoid commentary (it has become the madness of secondary discourse in many documentaries) and rely wholly on sound and image. Ideally, it would try to provide us with new concepts on the nature of society, on violence, and on the political bestiality of our times that is linked to the way the media has become a plague of words and images stripped of substance. It is a plague infecting our lives and, as a consequence, the history of nations with all that is sensational, random, and confused.”

J. Hanks, trans. (1985), p. 210
The Humiliation of the Word (1981)

ibid
The Rahotep series, Book 2: Tutankhamun
Context: Rhetoric is a dangerous art. It is the manipulation of the difference, one might say the distance, between truth and image [... ] And in our times, that distance has become the means by which power is exercised [... ] Rhetoric has been a force for persuasion since man began to speak, and to convince his enemy that he was indeed his friend.

The day I stood up alone

Kenneth Boulding (1965) Earth as a Spaceship http://earthmind.net/earthmind/docs/boulding-1965.pdf Lecture May 10, 1965, Washington State University, Committee on Spaces Sciences <br class="br">1960s

Source: Postcards from Ed: Dispatches and Salvos from an American Iconoclast

Advice about news reporters, to incoming first lady, Hillary Rodham Clinton, on a tour of the White House, as quoted in Newsweek magazine (30 November 1992)

Quote of Caroline Tisdall, 1979, p. 210; as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 180
1970's

42.
För levande och döda (For the Living and the Dead) 1996

"The Price of Empire" speech, to the meeting of the American Bar Association in Hawaii (August 1967), in Haynes Bonner Johnson and Bernard M. Gwertzman, Fulbright: The Dissenter (1968), p. 305.