“An artist, if good for anything, foresees what his public will see; and what his public will see is what he ought to have intended — the measure of his genius. If the public sees more than he himself did, this is his credit; if less, this is his fault. No matter how simple or ignorant we are, we ought to feel a discord or a harmony where the artist meant us to feel it, and when we see a motive, we conclude that other people have seen it before us, and that it must therefore have been intended.”

—  Henry Adams

Mont Saint Michel and Chartres (1904)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "An artist, if good for anything, foresees what his public will see; and what his public will see is what he ought to ha…" by Henry Adams?
Henry Adams photo
Henry Adams 311
journalist, historian, academic, novelist 1838–1918

Related quotes

Paul Cézanne photo
Eli Siegel photo
Julian of Norwich photo
William Brett, 1st Viscount Esher photo
Johann Wolfgang von Goethe photo

“The architect hands over to the rich man with the keys to his palace all the ease and comfort to be found in it without being able to enjoy any of it himself. Must the artist not in this way gradually become alienated from his art, since his work, like a child that has been provided for and left home, can no longer have any effect upon its father? And how beneficial it must have been for art when it was intended to be concerned almost exclusively with what was public property, and belonged to everybody and therefore also to the artist!”

Dem Reichen übergibt der Baumeister mit dem Schlüssel des Palastes alle Bequemlichkeit und Behäbigkeit, ohne irgend etwas davon mitzugenießen. Muß sich nicht allgemach auf diese Weise die Kunst von dem Künstler entfernen, wenn das Werk wie ein ausgestattetes Kind nicht mehr auf den Vater zurückwirkt? Und wie sehr mußte die Kunst sich selbst befördern, als sie fast allein mit dem öffentlichen, mit dem, was allen und also auch dem Künstler gehörte, sich zu beschäftigen bestimmt war!
Bk. II, Ch. 3, R. J. Hollingdale, trans. (1971), p. 170
Elective Affinities (1809)

Julian of Norwich photo
Julian of Norwich photo
Aldous Huxley photo
John F. Kennedy photo

Related topics