“In art, too, there is room enough for exact research... What was accomplished in music before the end of the eighteenth century has hardly been begun in the pictorial field.”

— Paul Klee

quote of Paul Klee from the text Exact experiments in the realm of art, 1928; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html <br class="br">1921 - 1930

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German Swiss painter 1879–1940

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“What had already been done for music by the end of the eighteenth century has at last been begun for the pictorial arts. Mathematics and physics furnished the means in the form of rules to be followed and to be broken. In the beginning it is wholesome to be concerned with the functions and to disregard the finished form. Studies in algebra, in geometry, in mechanics characterize teaching directed towards the essential and the functional, in contrast to apparent. One learns to look behind the façade, to grasp the root of things. One learns to recognize the undercurrents, the antecedents of the visible. One learns to dig down, to uncover, to find the cause, to analyze.”

Paul Klee (1879–1940) German Swiss painter

1921 - 1930
Source: 'Bauhaus prospectus 1929'; as quoted in Artists on Art, from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444

“The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.”

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“What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.”

Jacques Attali (1943) French economist

Quoted in Classic Essays on Twentieth-Century Music, ed. Richard Kostelanetz and Joseph Darby (Wadsworth, 1996, ISBN 0-028-64581-2)

“So much of the research on musical expertise has looked for accomplishment in the wrong place, in the facility of the fingers rather than the expressiveness of emotion.”

Daniel Levitin (1957) American psychologist

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“We [at the Bauhaus, in Dessau - where Klee was art teacher with Kandinsky ] construct and construct, and yet intuition still has its uses. Without it we can do a lot, but not everything... When intuition is joined to exact research it speeds the progress of exact research..”

Paul Klee (1879–1940) German Swiss painter

1921 - 1930
Source: 'Bauhaus prospectus 1929'; as quoted in Artists on Art, from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444

“The machine itself has begun to do the work of revolution. The State is now generating forces that will accomplish what no revolutionaries could accomplish by themselves.”

Charles A. Reich book The Greening of America

Source: The Greening of America (1970), Chapter VIII : The Machine Begins To Self-Destruct, p. 189-190

“Folk-art signifies the poetical, musical and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialised.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser, cited in: Bihar Tribal Research Institute (1961). Bulletin of the Bihar Tribal Research Institute. Vol. 3-4, p. 144

“The greatest of all the accomplishments of 20th century science has been the discovery of human ignorance”

Lewis Thomas (1913–1993) American physician, poet and educator

“What if criticism is a science as well as an art? Not a "pure" or "exact" science, of course, but these phrases belong to a nineteenth-century cosmology which is no longer with us.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

“It’s always been like this. Every generation finds its own way to show that it isn’t like the one before. Too much risk, too much sex, terrible music, not enough respect for the old ways. This is no different.”

Daniel Abraham (1969) speculative fiction writer from the United States

Rates of Change (with Ty Franck as James S. A. Corey), in Meeting Infinity (2015), edited by Jonathan Strahan, and published by Solaris ISBN 978-1-84997-922-1, e-book edition

“In art, too, there is room enough for exact research... What was accomplished in music before the end of the eighteenth century has hardly been begun in the pictorial field.”

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