“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 34

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Alfred Horsley Hinton64

British photographer 1863–1908

Hans Hofmann (1880–1966) American artist

As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.

“Nature has put itself the problem of how to catch in flight light streaming to the Earth and to store the most elusive of all powers in rigid form. The plants take in one form of power, light; and produce another power, chemical difference.”

Robert Mayer (1814–1878) German physicist

in Die organische Bewegung in ihrem Zusammenhange mit dem Stoffwechsel, [Julius Robert von Mayer, Die Mechanik der Wärme in gesammelten Schriften, Cotta, 1867, 53-54]
Original: Die Natur hat sich die Aufgabe gestellt, das der Erde zuströmende Licht im Fluge zu erhaschen, und die beweglichste aller Kräfte, in starre Form umgewandelt, aufzuspeichern. Zur Erreichung dieses Zweckes hat sie die Erdkruste mit Organismen überzogen, welche lebend das Sonnenlicht in sich aufnehmen und unter Verwendung dieser Kraft eine fortlaufende Summe chemischer Differenzen erzeugen.

“Please put out the light, James.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Last words, to his valet, James Amos (6 January 1919), as quoted in Adventures of Theodore Roosevelt (1928) by Edwin Emerson, p. 336
1910s

“The outlines and form of any part of a body in light and shade are indistinct in the shadows and in the high lights; but in the portions between the light and the shadows they are highly conspicuous.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

“You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

(before 1880) As quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 176
undated quotes, Renoir – his life and work, 1975

“It is the aim of public life to arrange that all forms of power are entrusted, so far as possible, to men who effectively consent to be bound by the obligation towards all human beings which lies upon everyone, and who understand the obligation.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Draft for a Statement of Human Obligation (1943)
Context: It is the aim of public life to arrange that all forms of power are entrusted, so far as possible, to men who effectively consent to be bound by the obligation towards all human beings which lies upon everyone, and who understand the obligation.
Law is the quality of the permanent provisions for making this aim effective.

“Nature can put on a thrilling show. The stage is vast, the lighting is dramatic, the extras are innumerable, and the budget for special effects is absolutely unlimited.”

Yann Martel book Life of Pi

Source: Life of Pi

“The fact of the cosmical arrangements being an effect of natural law, is a powerful argument for the organic arrangements being so likewise, for how can we suppose that the august Being who brought all these countless worlds into form by the simple establishment of a natural principle flowing from his mind, was to interfere personally and specially on every occasion when a new shell-fish or reptile was to be ushered into existence on one of these worlds. Surely this idea is too ridiculous to be for a moment entertained.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 154

“Arrangement includes the putting of things in their proper places and the elegance of effect which is due to adjustments appropriate to the character of the work. Its forms of expression are these: ground plan, elevation, and perspective. …All three come of reflexion and invention.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 2

“With regard to the principle [of using symbols to represent sounds], it matters little whether the symbol is an elaborately detailed picture, a slightly stylized drawing, or a drastically abbreviated symbol of essentially abstract form. What is crucial is to recognize that the diverse forms perform the same function in representing sound. To see that writing has the form of pictures and to conclude that it is pictographic is correct in only one sense -- that of the form, but not the function, of the symbols. We can put it this way:
QUESTION: When is a pictograph not a pictograph?
ANSWER: When it represents a sound.”

John DeFrancis book The Chinese Language: Fact and Fantasy

The Chinese Language: Fact and Fantasy (1984, p. 140) http://www.pinyin.info/readings/texts/ideographic_myth.html <br class="br">The Chinese Language: Fact and Fantasy (1984)

“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

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Alfred Horsley Hinton64

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