“I can remember being young enough, long ago, to believe that in Tennessee Williams the giant themes of Greek tragedy had returned, all hung about with Magnolias. Ignorance of Greek tragedy helped in this view.”

in Newman's essay of 1945, as quoted in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd., London 1990, p. 20
1940 - 1950

"The Death of Me", p. 150
Awareness (1992)
Context: Can one be fully human without experiencing tragedy? The only tragedy there is in the world is ignorance; all evil comes from that. The only tragedy there is in the world is unwakefulness and unawareness. From them comes fear, and from fear comes comes everything else, but death is not a tragedy at all. Dying is wonderful; it's only horrible to people who have never understood life. It's only when you're afraid of life that you fear death. It's only dead people who fear death.

Source: That Greece Might Still be Free (1972), p. 15-16.
Context: A society in whose culture the Ancient Greeks played such an important part was bound to have a view about the Modern Greeks. The inhabitants of that famous land, whose language was still recognizably the same as that of Demosthenes, could not be regarded as just another remote tribe of natives or savages. Western Europe could not escape being concerned with the nature of the relationship between the Ancient and the Modem Greeks. The question has teased, perplexed, and confused generations of Greeks and Europeans and it still stirs passions to an extent difficult for the rational to condone.

Bk. III, ch. 4.
1830s, Sartor Resartus (1833–1834)

News Conference By President Obama at Palaiz de la Musique et Des Congres in Strasbourg, France https://www.whitehouse.gov/the-press-office/news-conference-president-obama-4042009 (4 April 2009) <br class="br">2009

Source: Strings Attached