“In the whole period, from Walt Whitman and Emily Dickinson to Edwin Arlington Robinson and Robert Frost, the greatest American poet is Stuart Merrill.”
Kenneth Rexroth, as quoted in Ramez Qureshi on Stuart Merrill's The White Tomb: Selected Writing http://home.jps.net/~nada/merrill.htm
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Stuart Merrill 4
American poet, who wrote mostly in the French language 1863–1915Related quotes

“Walt Whitman's a hell of a lot more revolutionary than any Russian poet I've ever heard of.”
Response to the questionnaire "Whiter the American Writer?" in Modern Quarterly, Summer 1932
“Whitman to me is the most fascinating of American poets.”
Paris Review interview (1986)
Context: Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.
Source: The Boys Of Summer, Chapter 2, Ceremonies of Innocence, p. 82

Source: Karel Appel – the complete sculptures,' (1990), p. 93 'Quotes', K. Appel (1989)
Appel's quote is referring to his sculpture 'Monument for Walt Whitman', dedicated to the American poet

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 672

Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

Source: Silent Spring (1962), p. 277
Context: We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road — the one less traveled by — offers our last, our only chance to reach a destination that assures the preservation of the earth.