"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction
“I like the description 'Physical art'. I think maybe art emerged when man first began to distinguish himself from nature. Art is part of himself, which he returns perhaps as an homage to the nature which he left. Of course, he never left nature. The rise of consciousness, perhaps... The main thing we believe, that separated us from not only animals but from the stones, is the fact that we are not stones, that we are not dogs. Now that is an assumption, perhaps it's a false assumption. But anyway, somehow I think one of the greatest functions of art is that man can feed back to his own consciousness through the knowledge that he is not a stone or not a dog.”
December 1969; quote from a talk with his audience
Source: Artists talks 1969 – 1977, p. 12
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Carl Andre 32
American artist 1935Related quotes
Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312
Quotes, 1920's
Source: A Memorial Containing Travels Through Life or Sundry Incidents in the Life of Dr Benjamin Rush
Source: The Company She Keeps (1942), Ch. 5 "Portrait of the Intellectual as a Yale Man", p. 141
Christian Mysticism (1899), Preface
Context: The phase of thought or feeling which we call Mysticism has its origin in that which is the raw material of all religion, and perhaps of all philosophy and art as well, namely, that dim consciousness of the beyond, which is part of our nature as human beings. Men have given different names to these "obstinate questionings of sense and outward things." We may call them, if we will, a sort of higher instinct, perhaps an anticipation of the evolutionary process; or an extension of the frontier of consciousness; or, in religious language, the voice of God speaking to us. Mysticism arises when we try to bring this higher consciousness into relation with the other contents of our minds.
[Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiv
Source: Article, "Breaking Out of the Box -A Crash Course in Paradigm Thinking" Debra Feinstein, BENCHMARK Magazine, FALL 1989 p.3
like in Neo-Plasticism / De Stijl
Quote in Mondrian's letter to Lodewijk van Deyssel (who reacted as Dutch art critic on Mondrians essay: 'Le Néo-plasticisme'] Paris, February 1921; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 136
1920's
An Inquiry into Meaning and Truth (1940), Introduction, p. 15
1940s