James W. Prescott (1930) American psychologist
"Body Pleasure and the Origins of Violence" (1975)
Source: Nervous Stillness on the Horizon (2006), P. 12 (Introductory text to the portfolio Transfusion,1990.)
James W. Prescott (1930) American psychologist
"Body Pleasure and the Origins of Violence" (1975)
Edwin Boring (1886–1968) American psychologist
Cited in: Eric Shiraev (2010) A History of Psychology: A Global Perspective. p. 314
A History of Experimental Psychology, 1929
Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic
"Revolt of the Demons", p. 399
Interpretations and Forecasts 1922-1972 (1973)
Viktor E. Frankl (1905–1997) Austrian neurologist and psychiatrist, and Holocaust survivor
Source: Man's Search For Meaning: The classic tribute to hope from the Holocaust
Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist
The Freudian Unconscious and Ours
The Four Fundamental Concepts of Psycho Analysis (1978)
J. G. Ballard (1930–2009) British writer
"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.