“An artist needn't be a clergyman or a church warden, but he must have a warm heart for his fellow men”

Ch. 1 : The Foundations of Liberal Policy § 11 : The Limits of Governmental Activity http://mises.org/liberal/ch1sec11.asp <br class="br">Liberalism (1927) <br class="br">Context: A free man must be able to endure it when his fellow men act and live otherwise than he considers proper. He must free himself from the habit, just as soon as something does not please him, of calling for the police.

Paracelsus - Doctor of our Time (1992)

Le Marquis de Pombal, p. 377
Le marquis de Pombal (1869)

Blue Christmas (2006).

Toils And Pleasures.
The Silverado Squatters (1883)

Pt. III : The Positive Aspect of Ambiguity http://www.marxists.org/reference/subject/ethics/de-beauvoir/ambiguity/ch03.htm#s2, Ch. 1 : The Aesthetic Attitude <br class="br">The Ethics of Ambiguity (1947) <br class="br">Context: We must not confuse the present with the past. With regard to the past, no further action is possible. There have been war, plague, scandal, and treason, and there is no way of our preventing their having taken place; the executioner became an executioner and the victim underwent his fate as a victim without us; all that we can do is to reveal it, to integrate it into the human heritage, to raise it to the dignity of the aesthetic existence which bears within itself its finality; but first this history had to occur: it occurred as scandal, revolt, crime, or sacrifice, and we were able to try to save it only because it first offered us a form. Today must also exist before being confirmed in its existence: its destination in such a way that everything about it already seemed justified and that there was no more of it to reject, then there would also be nothing to say about it, for no form would take shape in it; it is revealed only through rejection, desire, hate and love. In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men. But at the heart of his existence he finds the exigency which is common to all men; he must first will freedom within himself and universally; he must try to conquer it: in the light of this project situations are graded and reasons for acting are made manifest.

Source: Only Time Will Tell

Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later

So, the flowers of your field, in so far as I am gardener, shall come from my heart where they reside in much good will; and my eye and hand shall attend merely to the cultivating, the weeding, the fungous blight, the noxious insect of the air, and the harmful worm below.
And so shall your garden grow; from the rich soil of the humanities it will rise up and unfold in beauty in the pure air of the spirit.
So shall your thoughts take up the sap of strong and generous impulse, and grow and branch, and run and climb and spread, blooming and fruiting, each after its kind, each flowing toward the fulfillment of its normal and complete desire. Some will so grow as to hug the earth in modest beauty; others will rise, through sunshine and storm, through drought and winter's snows year after year, to tower in the sky; and the birds of the air will nest therein and bring forth their young.
Such is the garden of the heart: so oft neglected and despised when fallow.
Verily, there needs a gardener, and many gardens.
Source: Kindergarten Chats (1918), Ch. 4 : The Garden