
1850s, The Present Aspect of the Slavery Question (1859)
1850s, The Present Aspect of the Slavery Question (1859)
“I wanted to know the secret of life.”
The Inferno (1917), Ch. XIV
Context: I wanted to know the secret of life. I had seen men, groups, deeds, faces. In the twilight I had seen the tremulous eyes of beings as deep as wells. I had seen the mouth that said in a burst of glory, "I am more sensitive than others." I had seen the struggle to love and make one's self understood, the refusal of two persons in conversation to give themselves to each other, the coming together of two lovers, the lovers with an infectious smile, who are lovers in name only, who bury themselves in kisses, who press wound to wound to cure themselves, between whom there is really no attachment, and who, in spite of their ecstasy deriving light from shadow, are strangers as much as the sun and the moon are strangers. I had heard those who could find no crumb of peace except in the confession of their shameful misery, and I had seen faces pale and red-eyed from crying. I wanted to grasp it all at the same time. All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed.
Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death. I wanted to derive guidance from it, a faith. I wanted to use it for my own good.
“Those who fought know a secret about themselves, and it is not very nice.”
… They have experienced secretly and privately their natural human impulse toward sadism and brutality. As I say in this new book of mine, not merely did I learn to kill with a noose of piano wire put around somebody's neck from behind, but I learned to enjoy the prospect of killing that way. It's those things that you learn about yourself that you never forget. You learn that you have much wider dimensions than you had imagined before you had to fight a war. That's salutary. It's well to know exactly who you are so you can conduct the rest of your life properly.
Humanities interview (1996)
“He who 'makes' real things is he who knows the secret of making them.”
The Forge and the Crucible (1956).
Context: In virtue of this, the artisan is a connoisseur of secrets, a magician; thus all crafts include some kind off initiation and are handed down by an occult tradition. He who 'makes' real things is he who knows the secret of making them.
“The unconscious wants truth. It ceases to speak to those who want something else more than truth.”
Source: On Lies, Secrets, and Silence: Selected Prose, 1966-1978