“The more 'otter it is, the more 'otter otters likes it”

—  Brian Jacques

Last update June 3, 2021. History

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Brian Jacques photo
Brian Jacques 37
British fiction writer known for Redwall animal fantasy nov… 1939–2011

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“Nothing looks funnier than an otter having a good time, unless it’s a sea otter, which looks even more cherubic.”

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Context: I remember the first time I ever saw otter play and slide down a slippery bank into the water. Old Billy knew where they were and took me to them. We sat down silently behind some bushes on the bank of an Indiana stream and pretty soon out came a family of otter and climbed up on the bank and slid down the mud slide over and over again like little children. Nothing looks funnier than an otter having a good time, unless it’s a sea otter, which looks even more cherubic.

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Context: That whole thing has been overstated by environmentalists. First of all, what is it, rocks and snow? C'mon, what is that, you want that? Go to Canada my friend. Believe me, rocks and snow are overrated. I've seen otters—they look better covered in oil.

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“We are endowed with genes which code out our reaction to beavers and otters, maybe our reaction to each other as well.”

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Context: We are endowed with genes which code out our reaction to beavers and otters, maybe our reaction to each other as well. We are stamped with stereotyped, unalterable patterns of response, ready to be released. And the behavior released in us, by such confrontations, is, essentially, a surprised affection. It is compulsory behavior and we can avoid it only by straining with the full power of our conscious minds, making up conscious excuses all the way. Left to ourselves, mechanistic and autonomic, we hanker for friends.

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“Step aside? I step aside for nobeast, whether it be a hallowed hedgehog, an officious otter, a seasoned squirrel, a mutterin' mole or a befuddled badger!”

Brian Jacques (1939–2011) British fiction writer known for Redwall animal fantasy novels

Source: Taggerung

“The terminally cute sea otter is a marine weasel into rough sex. The male otter's arms (legs, whatever) are effective for grooming their fine pelts or cracking shells on the rocks they place on their bellies, but they are too short for getting a good grip on a mate. So the male gets firm purchase by biting down on the female's nose before going for a little splendor in the kelp. Afterward you can often spot the females hauled up on rocks along the shore, their fur matted and their noses bloody. It's not hard to imagine that a female with a heavily scarred nose might get a reputation as an easy otter.”

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Los Angeles Times, January 26, 2005.

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“Would you like red or white wine with your piece of vulcanised lizards cock from the moon? How about an extra bread roll, there to dip in your otter vomit pate?”

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And you're going, "Red or white wine, well, what would you like, darling? I don't know, what would you like?", all to block out the thought that's in your mind which is - "We're gonna die, we're all gonna die, we're all gonna die, right now. The plane is made of metal, the wings are made of metal, we're all eating, and I'm the only non-terrorist aboard, we're all going to die."
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“If Van Eyck’s patrons had all been Buddhists he would neither have painted the Adoration of the Lamb nor, for that matter, the Hunting of the Otter, but though the fact that he did is therefore trivially connected with the civilization in which he worked, there is no need to place these works on the periphery of the Hegelian wheel and look for the governing cause that explains both otter hunting and piety in the particular form they took in the early decades of the fifteenth century, and which is also expressed in Van Eyck’s new technique.”

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“It'll be all right, my fine fellow," said the Otter. "I'm coming along with you, and I know every path blindfold; and if there's a head that needs to be punched, you can confidently rely upon me to punch it.”

Kenneth Grahame book The Wind in the Willows

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