“No man remains quite what he was when he recognizes himself.”

Source: A Scanner Darkly

Northwest Europe, p. 188
Vokes - My Story (1985)

Source: Aspects of the Novel (1927), Chapter Five: The Plot
Context: A man does not talk to himself quite truly — not even to himself: the happiness or misery that he secretly feels proceeds from causes that he cannot quite explain, because as soon as he raises them to the level of the explicable they lose their native quality. The novelist has a real pull here. He can show the subconscious short-circuiting straight into action (the dramatist can do this too); he can also show it in its relation to soliloquy. He commands all the secret life, and he must not be robbed of this privilege. "How did the writer know that?" it is sometimes said. "What's his standpoint? He is not being consistent, he's shifting his point of view from the limited to the omniscient, and now he's edging back again." Questions like this have too much the atmosphere of the law courts about them.

Source: 1984

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 49.

Listen, Little Man! (1948)
Context: My intellect tells me: "Tell the truth at any cost." The Little Man in me says: "It is stupid to expose oneself to the little man, to put oneself at his mercy. The Little Man does not want to hear the truth about himself. He does not want the great responsibility which is his. He wants to remain a Little Man. He wants to remain a Little Man, or wants to become a little great man. He wants to become rich, or a party leader, or commander of a legion, or secretary of the society for the abolition of vice. But he does not want to assume responsibility for his work..."

Bell Telephone Talk (1901)

About Marco van Basten after the fall-out with Mark van Bommel