William Morris: Citations en anglais
Love is Enough (1872), Song VI: Cherish Life that Abideth
Contexte: Love is enough: cherish life that abideth,
Lest ye die ere ye know him, and curse and misname him;
For who knows in what ruin of all hope he hideth,
On what wings of the terror of darkness he rideth?
And what is the joy of man's life that ye blame him
For his bliss grown a sword, and his rest grown a fire?
“Pass by me, and hearken, and think of me not!”
Love is Enough (1872), Song IV: Draw Near and Behold Me
Variante: Pass by me, I hearken, and think of you not!
Contexte: Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
— Pass by me, and hearken, and think of me not!
Love is Enough (1872), Song VII: Dawn Talks to Day
Contexte: Morn shall meet noon
While the flower-stems yet move,
Though the wind dieth soon
And the clouds fade above.
Loved lips are thine
As I tremble and hearken;
Bright thine eyes shine,
Though the leaves thy brow darken.
O Love, kiss me into silence, lest no word avail me,
Stay my head with thy bosom lest breath and life fail me!
O sweet day, O rich day, made long for our love!
“O Love, set a word in my mouth for our meeting”
Love is Enough (1872), Song VII: Dawn Talks to Day
Contexte: Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!
“Dawn talks to Day
Over dew-gleaming flowers”
Love is Enough (1872), Song VII: Dawn Talks to Day
Contexte: Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!
Love is Enough (1872), Song VII: Dawn Talks to Day
Contexte: Eve shall kiss night,
And the leaves stir like rain
As the wind stealeth light
O'er the grass of the plain.
Unseen are thine eyes
Mid the dreamy night's sleeping,
And on my mouth there lies
The dear rain of thy weeping.
The Earthly Paradise (1868-70), The Lady of the Land
Contexte: It happened once, some men of Italy
Midst the Greek Islands went a sea-roving,
And much good fortune had they on the sea:
Of many a man they had the ransoming,
And many a chain they gat and goodly thing;
And midst their voyage to an isle they came,
Whereof my story keepeth not the name.
"Art Under Plutocracy" (1883).
Contexte: So long as the system of competition in the production and exchange of the means of life goes on, the degradation of the arts will go on; and if that system is to last for ever, then art is doomed, and will surely die; that is to say, civilization will die.
“Masters, I have to tell a tale of woe,
A tale of folly and of wasted life”
Introductory verse.
The Earthly Paradise (1868-70)
Contexte: Masters, I have to tell a tale of woe,
A tale of folly and of wasted life,
Hope against hope, the bitter dregs of strife,
Ending, where all things end, in death at last.
Love is Enough (1872), Song I : Though the World Be A-Waning
Contexte: Love is enough: though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.
Love is Enough (1872), Song IX: Ho Ye Who Seek Saving
Contexte: Love is enough: ho ye who seek saving,
Go no further; come hither; there have been who have found it,
And these know the House of Fulfilment of Craving;
These know the Cup with the roses around it;
These know the World's Wound and the balm that hath bound it:
Cry out, the World heedeth not, "Love, lead us home!"
Love is Enough (1872), Song II: Have No Thought for Tomorrow
Source: A Dream of John Ball (1886), Ch. 4: The Voice of John Ball
Contexte: Forsooth, brothers, fellowship is heaven, and lack of fellowship is hell: fellowship is life, and lack of fellowship is death: and the deeds that ye do upon the earth, it is for fellowship's sake that ye do them, and the life that is in it, that shall live on and on for ever, and each one of you part of it, while many a man's life upon the earth from the earth shall wane.
Therefore, I bid you not dwell in hell but in heaven, or while ye must, upon earth, which is a part of heaven, and forsooth no foul part.
“Dreamer of dreams, born out of my due time,
Why should I strive to set the crooked straight?”
The Earthly Paradise (1868-70), Apology
Contexte: Dreamer of dreams, born out of my due time,
Why should I strive to set the crooked straight?
Let it suffice me that my murmuring rhyme
Beats with light wing against the ivory gate,
Telling a tale not too importunate
To those who in the sleepy region stay,
Lulled by the singer of an empty day.
Love is Enough (1872), Song VII: Dawn Talks to Day
Contexte: Let us speak, love, together some words of our story,
That our lips as they part may remember the glory!
O soft day, O calm day, made clear for our sake!
“Alas, alas! another day gone by,
Another day and no soul come”
The Earthly Paradise (1868-70), The Lady of the Land
Contexte: "Alas, alas! another day gone by,
Another day and no soul come," she said;
"Another year, and still I am not dead!"
And with that word once more her head she raised,
And on the trembling man with great eyes gazed.
“The dreams of the dawn wherein death and hope strive.”
Love is Enough (1872), Song II: Have No Thought for Tomorrow
Contexte: Lo, the lovers unloved that draw nigh for your blessing!
For your tale makes the dreaming whereby yet they live
The dreams of the day with their hopes of redressing,
The dreams of the night with the kisses they give,
The dreams of the dawn wherein death and hope strive.
“Forsooth, brothers, fellowship is heaven, and lack of fellowship is hell”
Source: A Dream of John Ball (1886), Ch. 4: The Voice of John Ball
Contexte: Forsooth, brothers, fellowship is heaven, and lack of fellowship is hell: fellowship is life, and lack of fellowship is death: and the deeds that ye do upon the earth, it is for fellowship's sake that ye do them, and the life that is in it, that shall live on and on for ever, and each one of you part of it, while many a man's life upon the earth from the earth shall wane.
Therefore, I bid you not dwell in hell but in heaven, or while ye must, upon earth, which is a part of heaven, and forsooth no foul part.
Love is Enough (1872), Song I : Though the World Be A-Waning
Contexte: Love is enough: though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.
Love is Enough (1872), Song IX: Ho Ye Who Seek Saving
Contexte: Come — pain ye shall have, and be blind to the ending!
Come — fear ye shall have, mid the sky's overcasting!
Come — change ye shall have, for far are ye wending!
Come — no crown ye shall have for your thirst and your fasting,
But the kissed lips of Love and fair life everlasting!
Cry out, for one heedeth, who leadeth you home!
Why I Am A Socialist (1884).
Contexte: What shall I say concerning its mastery of and its waste of mechanical power, its commonwealth so poor, its enemies of the commonwealth so rich, its stupendous organization — for the misery of life! Its contempt of simple pleasures which everyone could enjoy but for its folly? Its eyeless vulgarity which has destroyed art, the one certain solace of labour? All this I felt then as now, but I did not know why it was so. The hope of the past times was gone, the struggles of mankind for many ages had produced nothing but this sordid, aimless, ugly confusion.
“Ye know not how void is your hope and your living:
Depart with your helping lest yet ye undo me!”
Love is Enough (1872), Song IV: Draw Near and Behold Me
Contexte: Ye know not how void is your hope and your living:
Depart with your helping lest yet ye undo me!
Ye know not that at nightfall she draweth near to me,
There is soft speech between us and words of forgiving
Till in dead of the midnight her kisses thrill through me.
— Pass by me and harken, and waken me not!
Source: A Dream of John Ball (1886), Ch. 1: The Men of Kent
Contexte: When I was journeying (in a dream of the night) down the well-remembered reaches of the Thames betwixt Streatley and Wallingford, where the foothills of the White Horse fall back from the broad stream, I came upon a clear-seen mediæval town standing up with roof and tower and spire within its walls, grey and ancient, but untouched from the days of its builders of old. All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep.
Love is Enough (1872), Song II: Have No Thought for Tomorrow
Contexte: Till again shall the change come, and words your lips say not
Your hearts make all plain in the best wise they would
And the world ye thought waning is glorious and good...
“I love art, and I love history, but it is living art and living history that I love…”
"The History of Pattern-Designing" lecture (1882) The Collected Works of William Morris (1910 - 1915) Vol. 22.
Contexte: I love art, and I love history, but it is living art and living history that I love... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?
Why I Am A Socialist (1884).
Contexte: What shall I say concerning its mastery of and its waste of mechanical power, its commonwealth so poor, its enemies of the commonwealth so rich, its stupendous organization — for the misery of life! Its contempt of simple pleasures which everyone could enjoy but for its folly? Its eyeless vulgarity which has destroyed art, the one certain solace of labour? All this I felt then as now, but I did not know why it was so. The hope of the past times was gone, the struggles of mankind for many ages had produced nothing but this sordid, aimless, ugly confusion.
“Perchance some marvel I shall see”
The Earthly Paradise (1868-70), The Lady of the Land
Contexte: And there he saw a door within the wall,
Well-hinged, close shut; nor was there in that place
Another on its hinges, therefore he
Stood there and pondered for a little space
And thought: "Perchance some marvel I shall see,
For surely here some dweller there must be,
Because this door seems whole and new and sound,
While nought but ruin I can see around".
“Come — change ye shall have, for far are ye wending!”
Love is Enough (1872), Song IX: Ho Ye Who Seek Saving
Contexte: Come — pain ye shall have, and be blind to the ending!
Come — fear ye shall have, mid the sky's overcasting!
Come — change ye shall have, for far are ye wending!
Come — no crown ye shall have for your thirst and your fasting,
But the kissed lips of Love and fair life everlasting!
Cry out, for one heedeth, who leadeth you home!
The Earthly Paradise (1868-70), Apology
Contexte: Folk say, a wizard to a northern king
At Christmas-tide such wondrous things did show,
That through one window men beheld the spring,
And through another saw the summer glow,
And through a third the fruited vines a-row,
While still, unheard, but in its wonted way,
Piped the drear wind of that December day.
So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.
