"Episode, Scene, Speech, and Word : The Madness of Lear" http://www.press.uchicago.edu/books/maclean/nmr_lear.html, in Critics and Criticism : Ancient and Modern (1952), edited by R.S. Crane
Contexte: At a high level of universality, to write anything well, whether it be intellectual or imaginative, is to assume at least two obligations: to be intelligible and to be interesting. Intelligibility, too, has its levels of obligation, on the lowest of individual statements, and even on this level the obligation is never easy to fulfill and perhaps even to genius could be a nightmare if what the genius sought to represent was “madness.” Only to a limited degree, however, can individual statements be intelligible — and in many instances and for a variety of reasons the individual statements are meant to be obscure, as in “mad” speeches. Since full intelligibility depends upon the relations of individual statement to individual statement, the concept of intelligibility, fully expanded, includes order and completeness; for a fully intelligible exposition or poem having relations has parts, and all the parts ought to be there and add up to a whole. The second major obligation, that of being “interesting,” includes unexpectedness and suspense, for expository as well as imaginative writing should not be merely what the reader expected it would be — or why should it be written or read? — and the unexpected should not be immediately and totally announced (in other words, expository and imaginative writing should have suspense), for, if the whole is immediately known, why should the writer or reader proceed farther?
But the accomplished writer gives his selected material more than shape — he gives it proper size. For a piece of writing to have its proper size is an excellent thing, or otherwise it would be lacking in intelligibility or interest or both.
Norman Maclean: Citations en anglais
Young Men and Fire (1992)
Contexte: It shouldn't be hard to imagine just what most of the crew must have thought when they first looked across the open hill-side and saw their boss seemingly playing with a matchbook in dry grass. Although the Mann Gulch fire occurred early in the history of the Smokejumpers, it is still their special tragedy, the one in which their crew suffered almost a total loss and the only one in which their loss came from the fire itself. It is also the only fire any member of the Forest Service had ever seen or heard of in which the foreman got out ahead of his crew only to light a fire in advance of the fire he and his crew were trying to escape. In case I hadn't understood him the first time, Sallee repeated, "We thought he must have gone nuts." A few minutes later his fire became more spectacular still, when Sallee, having reached the top of the ridge, looked back and saw the foreman enter his own fire and lie down in its hot ashes to let the main fire pass over him.
“Eventually, all things merge into one, and a river runs through it.”
"A River Runs Through It", p. 161
A River Runs Through It (1976)
Contexte: Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
“In our family, there was no clear line between religion and fly fishing.”
"A River Runs Through It", p. 1
A River Runs Through It (1976)
Contexte: In our family, there was no clear line between religion and fly fishing. We lived at the junction of great trout rivers in western Montana, and our father was a Presbyterian minister and a fly fisherman who tied his own flies and taught others. He told us about Christ's disciples being fishermen, and we were left to assume, as my brother and I did, that all first-class fishermen on the Sea of Galilee were fly fishermen and that John, the favorite, was a dry-fly fisherman.
A River Runs Through It (1976)
Contexte: Everything that was to happen had happened and everything that was to be seen had gone. It was now one of those moments when nothing remains but an opening in the sky and a story — and maybe something of a poem. Anyway, as you possibly remember, there are these lines in front of the story:
Young Men and Fire (1992)
Contexte: It shouldn't be hard to imagine just what most of the crew must have thought when they first looked across the open hill-side and saw their boss seemingly playing with a matchbook in dry grass. Although the Mann Gulch fire occurred early in the history of the Smokejumpers, it is still their special tragedy, the one in which their crew suffered almost a total loss and the only one in which their loss came from the fire itself. It is also the only fire any member of the Forest Service had ever seen or heard of in which the foreman got out ahead of his crew only to light a fire in advance of the fire he and his crew were trying to escape. In case I hadn't understood him the first time, Sallee repeated, "We thought he must have gone nuts." A few minutes later his fire became more spectacular still, when Sallee, having reached the top of the ridge, looked back and saw the foreman enter his own fire and lie down in its hot ashes to let the main fire pass over him.
"A River Runs Through It", p. 2
A River Runs Through It (1976)
“A mystery of the universe is how it has managed to survive with so much volunteer help.”
Young Men and Fire (1992)
"A River Runs Through It", p. 22
A River Runs Through It (1976)
"A River Runs Through It", p. 68
A River Runs Through It (1976)
"Episode, Scene, Speech, and Word : The Madness of Lear", in Critics and Criticism : Ancient and Modern (1952), edited by R.S. Crane
"A River Runs Through It", p. 4
A River Runs Through It (1976)
“The brain gives up a lot less easily than the body.”
"A River Runs Through It", p. 22 http://books.google.com/books?id=5GL2_ctw58gC&q=%22The+brain+gives+up+a+lot+less+easily+than+the+body%22&pg=PA58#v=onepage
A River Runs Through It (1976)
"A River Runs Through It", p. 7
A River Runs Through It (1976)
