Maylis de Kerangal citations (6 citations)

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Naissance d'un pont

Maylis de Kerangal

Maylis de Kerangal: 6 citations 0 J'aime

Maylis de Kerangal Citations

“Il s’agit d’une sorte de western, autrement dit d’un roman de fondation, et la référence à ce genre cinématographique opère dans le texte, l’écriture travaille en plan large, brasse du ciel, des paysages, des matières, des hommes, et resserre sa focale sur les héros qui sont toujours pris dans l’action, dans la nécessité de répondre à une situation.”

Maylis de Kerangal livre Naissance d'un pont

Au sujet de son livre : Naissance d'un pont.

sortie , hommes , sort

“Quand je me suis donné le Golden Gate comme référence pour écrire Naissance d’un pont, j’étais déjà allée deux fois à San Francisco, et j’y suis retournée pour régler sensoriellement les indicateurs de la matérialité du monde, qui comptent beaucoup pour moi : l’expérience physique, la lumière, la qualité de l’air, la configuration des lieux, etc. Cela permet une captation sensible qu’on peut capitaliser et qui fait trace dans l’écriture.”

Maylis de Kerangal livre Naissance d'un pont

À propos de son livre : Naissance d'un pont.

naissance , lumière , monde , foi

Maylis de Kerangal: Citations en anglais

“I love when a crucial novel leaves a trace in my memory. In this, its ending plays a significant part—creating a wake effect that is never erased.”

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Maylis de Kerangal

On the writings that she favors in “Maylis de Kerangal by Jessica Moore” https://bombmagazine.org/articles/maylis-de-kerangal/ in Bomb Magazine (2015 Dec 15)

“So the novel is a race, and I can see the finish line from the first sentence: it’s an intuition that magnetizes the entire text. The closer I get to the goal, the faster I want to go. There’s even a sense of urgency, of hurrying, as though I was out of breath and had to, at all costs, finish before I ran out of strength. So I find that my endings are often too quick, not unfolded enough, not majestic enough…”

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Maylis de Kerangal

On the endings of her works in “Maylis de Kerangal by Jessica Moore” https://bombmagazine.org/articles/maylis-de-kerangal/ in Bomb Magazine (2015 Dec 15)

“I began to think about its double nature: on the one hand you have an organ in your body and on the other you have a symbol of love. From that time I started to pursue the image of a heart crossing the night from one body to another. It is a simple narrative structure but it’s open to a lot of things. I had the intuition that this book could give form to my intimate experience of death.”

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Maylis de Kerangal

On the heart as the focus for her book Mend the Living in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)

“I am the sort of writer who needs another form to tell me who I am and what has happened to me…I think all my novels are self-portraits, but there’s no one character who resolves me, or catalyses me, or is me.”

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Maylis de Kerangal

On writing in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)