Quote of Jasper Johns, as cited in Trend to the Anti-Art: Targets and Flags, Newsweek 51 no. 13, March 1958, p. 96
1950s
Jasper Johns:
34
citations
0
J'aime
Jasper Johns: Citations en anglais
Book B (sketchbook), c 1967: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 62
1960s
“To be an artist you have to give up everything, including the desire to be a good artist.”
as quoted in photo-exhibition 'Cy Twombly', museum Marseille Amsterdam, autumn 2008
2000s
“I don't want my work to be an exposure of my feelings.”
Quote from Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 202
1990s
Book C (sketchbook), c. 1970; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 70
1970s
he laughs
Jasper Johns Interviewed/ Jasper Johns interviewed Part II, Peter Fuller, Art Montly, London, August/September 1978
1970s
Does Teeny Duchamp have an ironing board?
Book B (sketchbook), c 1967: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 64
1960s
interview at John's studio, Billy Klüver, March 1963, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 89
1960s
“An invisible drawing made in the air. Make a drawing behind your back. Make a stolen painting.”
Book A (sketchbook), p 40, c 1963-64: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 53
1960s
Jasper Johns: 'I have attempted to develop my thinking', Vivien Raynor, Artnews 72 no. 3, March 1973, p. 20-22
1970s
Jasper Johns in Tokyo, Yoshiaki Tono, Tokyo August 1964, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed; Kirk Varnedoe, Moma New York, 1996, p. 104
1960s
interview with Johns conducted in 1975 at Johns’ studio by Yoshiaki Tono, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 89
1970s
Sixteen Americans, (1959) Dorothy C. Miller, Moma, New York, p. 22
1950s
Watchman. Somewhere here, there is the question of "seeing clearly". Seeing what? According to what?
Book A (sketchbook), c 1965: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 60
1960s
Book A (sketchbook), p 8, c 1960: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 49
1960s
Daily Close-up, after the Flag, Roberta Brandes Gratz, New York Post, 30 December 1970, p. 25
1970s
Book A (sketchbook), p 31, c 1963: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 50
1960s
“[to see the painting].. as an object, as a real thing in itself. (quote on his Flag-paintings)”
Quote from: Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 200
1950s
as quoted in photo-exhibition 'Cy Twombly', museum Marseille Amsterdam, autumn 2008
2000s
ruler on board.
Book A (sketchbook), p 52, c 1964: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 58
1960s
His heart belong to DADA, Time 73, 4 May, 1959: 58; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 82
1950s
Actually both positions are implicit in the paintings, so you don't have to choose.
The Insiders, Rejection en Rediscovery of Man in the Arts of our Time, Selden Rodman, Baton Rouge, Louisiana State University Press, 1960, Chapter 6.
1960s
John's own comment on his exhibition of the 'Flag, Target and Number' paintings in 1958
1950s
Merce, Hubert Saal, Newsweek 71, no. 22, 27 May 1968, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 129
1960s
interview at Johns' studio, Billy Klüver, March 1963, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 87
1960s
Jasper John's quote, from: Marcel Duchamps 1887 – 1968, in 'Artforum' 7 no. 3, November 1968, p. 6
1960s
Once Established, says Jasper Johns...,Grace Glueck, New York Times, 16 October 1977, sec. 2 pp. 1-31
1970s
Book A (sketchbook), p 9, c 1960: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 50
1960s
Jasper Johns, by Bryan Robertson and Tim Marlow, Tate, in 'The Art Magazine', London, Winter 1993, pp. 40, 47
1990s
Daily Close-up, after the Flag, Roberta Brandes Gratz, New York Post, 30 December 1970, p. 25
1970s
