Lipstick Traces : A Secret History of the 20th Century (1989), pp. 147–148.
Contexte: Complete freedom meant — no one knew. It was most readily defined in the negative: not this gap between the heaven promised in the new advertisements and the everyday satisfactions I can buy. Not the sense that when I leave my work for my family, and bring my family to a Sunday in the park, my leisure feels like work. Not this mad conviction that I’m a stranger in my own home town, that at work I feel like a machine, that in the park I feel like an advertisement, that at home I feel like a tourist.
Greil Marcus:
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Greil Marcus: Citations en anglais
Lipstick Traces : A Secret History of the 20th Century (1989), p. 11.
Lipstick Traces : A Secret History of the 20th Century (1989), p. 1.
Marcus on Robert Johnson in Mystery Train: Images of America in Rock 'n' Roll Music (1975, fourth revision May, 1997) p. 31.
When That Rough God Goes Riding: Listening to Van Morrison (2010).
