George Gissing citations

George Gissing /ˌdʒɔːdʒ ˈɡɪ.sɪŋ/ est un écrivain britannique, né le 22 novembre 1857 à Wakefield et mort le 28 décembre 1903 à Ispoure .

Auteur de vingt-trois romans, publiés de 1880 à 1903, d'une centaine de nouvelles, de récits de voyage et d'ouvrages critiques, il est surtout connu pour son roman La Nouvelle Bohème et l'une de ses dernières publications, feuilles fictives semi-autobiographiques, Les Carnets d'Henry Ryecroft que baigne une poésie automnale de discrète nostalgie.

Considéré comme naturaliste dans sa jeunesse, il a fait évoluer son style vers un réalisme qui l'a fait désigner par certains commentateurs comme le « Zola anglais » et le situe parmi les principaux représentants de ce genre dans la littérature victorienne. Son œuvre abondante dépeint de façon détaillée les grands problèmes sociaux de son temps, avec comme thème récurrent le sort d'auteurs souvent talentueux qui s'éreintent en vain à se rapprocher du train de vie de la classe moyenne malgré des revenus atteignant à peine ceux des ouvriers.

Sa vie malheureuse, ses deux mariages désastreux, son manque de succès quasi chronique en ont fait une figure tragique de la seconde moitié du XIXe siècle. Quoique fondamentalement pessimiste, ayant été profondément influencé d'abord par Auguste Comte puis par Schopenhauer, il croit sincèrement au pouvoir de l'éducation, milite avec intransigeance, dans ses œuvres comme dans sa vie personnelle, pour les droits des femmes et, en des circonstances troublées — dont il a pleinement conscience et prophétise les terribles conséquences —, affiche sans faille un fervent pacifisme. À jamais soucieux d'autrui, sa confiance en l'être humain en fait un authentique humaniste en un âge de plus en plus matérialiste. Wikipedia  

✵ 22. novembre 1857 – 28. décembre 1903
George Gissing photo
George Gissing: 18   citations 0   J'aime

George Gissing: Citations en anglais

“Time is money — says the vulgarest saw known to any age or people. Turn it round about, and you get a precious truth —money is time.”

George Gissing livre The Private Papers of Henry Ryecroft

The Private Papers of Henry Ryecroft (1903)
Contexte: Time is money — says the vulgarest saw known to any age or people. Turn it round about, and you get a precious truth —money is time. I think of it on these dark, mist-blinded mornings, as I come down to find a glorious fire crackling and leaping in my study. Suppose I were so poor that I could not afford that heartsome blaze, how different the whole day would be! Have I not lost many and many a day of my life for lack of the material comfort which was necessary to put my mind in tune? Money is time. With money I buy for cheerful use the hours which otherwise would not in any sense be mine; nay, which would make me their miserable bondsman. Money is time, and, heaven be thanked, there needs so little of it for this sort of purchase. He who has overmuch is wont to be as badly off in regard to the true use of money, as he who has not enough. What are we doing all our lives but purchasing, or trying to purchase, time? And most of us, having grasped it with one hand, throw it away with the other.

Winter, § 24, p. 287; in Conducting Effective Faculty Meetings (2008) by Sue Ellen Brandenburg, p. 12 this appears paraphrased in the form: "Time is money says the proverb, but turn it around and you get a precious truth. Money is time."

“What are we doing all our lives but purchasing, or trying to purchase, time? And most of us, having grasped it with one hand, throw it away with the other.”

George Gissing livre The Private Papers of Henry Ryecroft

Winter, § 24, p. 287; in Conducting Effective Faculty Meetings (2008) by Sue Ellen Brandenburg, p. 12 this appears paraphrased in the form: "Time is money says the proverb, but turn it around and you get a precious truth. Money is time."
The Private Papers of Henry Ryecroft (1903)
Contexte: Time is money — says the vulgarest saw known to any age or people. Turn it round about, and you get a precious truth —money is time. I think of it on these dark, mist-blinded mornings, as I come down to find a glorious fire crackling and leaping in my study. Suppose I were so poor that I could not afford that heartsome blaze, how different the whole day would be! Have I not lost many and many a day of my life for lack of the material comfort which was necessary to put my mind in tune? Money is time. With money I buy for cheerful use the hours which otherwise would not in any sense be mine; nay, which would make me their miserable bondsman. Money is time, and, heaven be thanked, there needs so little of it for this sort of purchase. He who has overmuch is wont to be as badly off in regard to the true use of money, as he who has not enough. What are we doing all our lives but purchasing, or trying to purchase, time? And most of us, having grasped it with one hand, throw it away with the other.

“Persistent prophecy is a familiar way of assuring the event.”

George Gissing livre The Private Papers of Henry Ryecroft

Summer, § VII, p. 89
The Private Papers of Henry Ryecroft (1903)
Contexte: This writer, who is horribly perspicacious and vigorous, demonstrates the certainty of a great European war, and regards it with the peculiar satisfaction excited by such things in a certain order of mind. His phrases about "dire calamity" and so on mean nothing; the whole tenor of his writing proves that he represents, and consciously, one of the forces which go to bring war about; his part in the business is a fluent irresponsibility, which casts scorn on all who reluct at the "inevitable." Persistent prophecy is a familiar way of assuring the event.

“I maintain that we people of brains are justified in supplying the mob with the food it likes.”

Vol. I, Ch. 1 : A Man of His Day, p. 17
New Grub Street : A Novel (1891)
Contexte: I maintain that we people of brains are justified in supplying the mob with the food it likes. We are not geniuses, and if we sit down in a spirit of long-eared gravity we shall produce only commonplace stuff. Let us use our wits to earn money, and make the best we can of our lives. If only I had the skill, I would produce novels out-trashing the trashiest that ever sold fifty thousand copies. But it needs skill, mind you; and to deny it is a gross error of the literary pedants. To please the vulgar you must, one way or another, incarnate the genius of vulgarity.

“I am learning my business. Literature nowadays is a trade.”

Vol. I, Ch. 1 : A Man of His Day, p. 8
New Grub Street : A Novel (1891)
Contexte: I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.

“For the work of man's mind there is one test, and one alone, the judgment of generations yet unborn. If you have written a great book, the world to come will know of it.”

George Gissing livre The Private Papers of Henry Ryecroft

Spring, § I, p. 2
The Private Papers of Henry Ryecroft (1903)
Contexte: Old companion, yet old enemy! How many a time have I taken it up, loathing the necessity, heavy in head and heart, my hand shaking, my eyes sickdazzled! How I dreaded the white page I had to foul with ink! Above all, on days such as this, when the blue eyes of Spring laughed from between rosy clouds, when the sunlight shimmered upon my table and made me long, long all but to madness, for the scent of the flowering earth, for the green of hillside larches, for the singing of the skylark above the downs. There was a time— it seems further away than childhood — when I took up my pen with eagerness; if my hand trembled it was with hope. But a hope that fooled me, for never a page of my writing deserved to live. I can say that now without bitterness. It was youthful error, and only the force of circumstance prolonged it. The world has done me no injustice; thank Heaven I have grown wise enough not to rail at it for this! And why should any man who writes, even if he writes things immortal, nurse anger at the world's neglect? Who asked him to publish? Who promised him a hearing? Who has broken faith with him? If my shoemaker turn me out an excellent pair of boots, and I, in some mood of cantankerous unreason, throw them back upon his hands, the man has just cause of complaint. But your poem, your novel, who bargained with you for it? If it is honest journeywork, yet lacks purchasers, at most you may call yourself a hapless tradesman. If it come from on high, with what decency do you fret and fume because it is not paid for in heavy cash? For the work of man's mind there is one test, and one alone, the judgment of generations yet unborn. If you have written a great book, the world to come will know of it. But you don't care for posthumous glory. You want to enjoy fame in a comfortable armchair. Ah, that is quite another thing. Have the courage of your desire. Admit yourself a merchant, and protest to gods and men that the merchandise you offer is of better quality than much which sells for a high price. You may be right, and indeed it is hard upon you that Fashion does not turn to your stall.

“To be at other people's orders brings out all the bad in me.”

George Gissing livre Will Warburton

Will Warburton (1905), ch. 3

“Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent.
But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.”

Source: Our Friend the Charlatan (1901), Ch. II

“No, no; women, old or young, should never have to think about money.”

George Gissing livre The Odd Women

The Odd Women (1893), ch. 1

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