Caterina Davinio citations (16 citations)

Caterina Davinio: 16 citations 0 J'aime

Caterina Davinio: Citations en anglais

“Day after day
I turn on the machines,
I dispense their immense memory,
every day
I fire up the motors,
then inside I switch myself off.
…”

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Caterina Davinio

Serial Phenomenologies
Source: Caterina Davinio, Fenomenologie seriali / Serial Phenomenologies, with parallel English text, English translation by Caterina Davinio and David W. Seaman, Campanotto, Pasian di Prato (UD) 2010, p. 73.

“If language is a virus from space, even people could be disguised aliens on our planet, because language is inextricably bound to human mental processes, in the forms of our intelligence, to the extent that symbolic language is what makes us different from other living beings.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 48

“Destiny was superb
it spoke among mountains and gray cumuli
like castles in the sky,
swollen with heat,
with rain,
with harvests,
with infinite richness.
…”

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Caterina Davinio

Waiting for the End of the World
Source: Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, with parallel English text, English translation by Caterina Davinio and David W. Seaman, Fermenti, Rome 2012, p. 15. </ref>

“The head tumbles between the legs
like a wooden ball
you fall, dark night
in the eyes,
the door a span away
inaccessible
you are on your knees
…”

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Caterina Davinio

The Book of Opium (1975 - 1990), Overdose
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990] (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.</ref>

“Now that everything is, or may be, "digital" and could contemplate its membership in an e-category, the final product should be always studied, not only in its appearance, but in its process, structure, in its modes of functioning and of presentation / fruition and also in an historical perspective.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 130

“The biosphere is now enriched with an other stratum, mid-way between the material and the spiritual, and that is the web of connections, a “virtual” reality made of communication by means of the new media. On a daily basis, we move around in this space with all the content we are capable of. This physically concretizes the concept that all humans can merge in a single moment, where no one is separated from the others and all become a single entity, which is the web.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 44

“A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

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Caterina Davinio

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

“E-literature is certainly a broader concept than e-poetry, but it can also be limiting: like Verlaine in a famous line from his Art Poétique, one might conclude: et tout le reste est e-littérature, to emphasize the imponderable specificity of poetry.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 128

“When I speak of language, I do not only mean poetic or verbal language: I am thinking of the language of mathematics, of physics, et cetera. It is a fascinating topic. Language is an interface between us and the world. Beyond language there is nothing but pure mystical contemplation of the universe.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 48

“Language completes the existence of the world and makes it "usable" for humans.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 48

“I am ashamed of the polished words,
so I hide them
throwing rough and crude notes
like the Rondanini Pietà
still raw with matter
on the lines of crystal
like the soul that sparkles in one’s eyes.
…”

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Caterina Davinio

“Only our voices
and gray strips of palm
like shining backs
of coleoptera,
atrocious
and suffering
under the infinite sun;
…”

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Caterina Davinio

Aliens on Safari, Africa
Source: Caterina Davinio, Aliens on Safari (Light from Hell), in AAVV, Dentro il mutamento, Rome, Fermenti, 2011. English translation by Caterina Davinio and David W. Seaman.

“Intelligence is always connective. The biosphere works this way, through continuous contacts, catalysts, neurons which touch and activate other neurons. Today, this all has not only biological and chemical consistency, but a technological and teleinformatics one: it is not just a metaphor, or a "virtual" reality, but a real entity, a kind of emanation of the biosphere.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 138

“Making art means not only using languages, but also creating new ones. To do this, new tools are indispensable. Even returning to more traditional languages such as linear poetry or narration, after being enriched by the experience of hypertext, hypermedia and multimedia, allows us to rethink the older forms of expression and transfer the lessons of the new media into even the more traditional modalities of language, such as narrative, for example.”

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Caterina Davinio

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 48

“A central concept called into question by net-poetry is the relation with reality.”

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Caterina Davinio

Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.
Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132