Source: 1880's, Renoir – his life and work, 1975, pp. 156-157 : quote, 1881 on the illusion by sunlight, from Renoir et ses amis, Georges Riviere.
Auguste Renoir:
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citations
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J'aime
Auguste Renoir: Citations en anglais
Source: undated quotes, Renoir – his life and work, 1975, p. 175 : Renoir's remarks to Vollard, referring to the delicate painting-style of Berthe Morisot's, the only French woman-artist of Paris Impressionism.
quote from a letter written by Félix Fénéon, published in 'Le Bulletin des artistes' 15th December 1919
this quote is expressing Renoir's last painter-remark, 30 November 1919, three days before he died.
after 1900
As quoted in Masterpieces of painting from the National Gallery of Art (1944), p. 168
undated quotes
Quote of Renoir's letter to Durand-Ruel, end of Feb. 1882; as cited in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 172
1880's
Source: undated quotes, Renoir – his life and work, 1975, p. 12 : Renoir's remark to Vollard referring to the pre-impressionist landscape-painter Camille Corot.
“One morning one of us had run out of black; and that was the birth of Impressionism.”
Klaus Honnef, Ingo F. Walther, Karl Ruhrberg (1998) Art of the 20th Century: Painting. p. 7
undated quotes
in a letter to madame Charpentier, c. 1876; as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates / Thames and Hudson Ltd, London 1975, p. 80
1870's
Source: 1880's, Renoir – his life and work, 1975, pp. 127-128 : in his letter to Durand-Ruel (1880's), explaining his choice to participate in the yearly official Salon as well as in the Impressionist Exhibition in Paris, on the same time.
“The artist who uses the least of what is called imagination, will be the greatest!”
Quoted in: Giles Auty (1977) The Art of Self-Deception: An Intelligible Guide, p. 88
undated quotes
“They've found fault with me enough, in all conscience, for putting violet shadows on bodies.”
Source: undated quotes, Renoir – his life and work, 1975, p. 80 : Renoir to Vollard, referring to his color-use.
As quoted in The private lives of the Impressionists Sue Roe, Harper-Collins Publishers, New York, 2006, p. 127
1870's
as cited in Renoir, my Father, Jean Renoir; p. 124; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 83 + 94
1870's
But I [Renoir] was very happy it wasn't too much of a flop: There is something of that admirable face in it'
Quote of Renoir, in his letter to a friend, 15 Jan. 1882; as cited in 'Pierre Auguste Renoir - Richard Wagner', text of museum D'Orsay http://www.musee-orsay.fr/en/collections/works-in-focus/search/commentaire/commentaire_id/richard-wagner-11042.html?no_cache=1
At the beginning of 1882, Renoir was travelling in the south of Italy and visited Palermo where Wagner was staying. Renoir proposed a short sitting for the following day and Wagner agreed; he had just finished his 'Parsifal'.
1880's
