Alexander Calder citations

Alexander « Sandy » Calder est un sculpteur et peintre américain, né le 22 juillet 1898 à Lawnton et mort le 11 novembre 1976 à New York.

Il est surtout connu pour ses mobiles ainsi nommés sur proposition de Marcel Duchamp lors de leur exposition à Paris en 1932 à la galerie Vignon, ses assemblages de formes animées par les mouvements de l'air puis ses stabiles. Wikipedia  

✵ 22. juillet 1898 – 11. novembre 1976
Alexander Calder photo
Alexander Calder: 41   citations 0   J'aime

Alexander Calder: Citations en anglais

“Fernand Léger's film, 'Ballet Mecanique' is the result of the desire for a picture in motion.”

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

“Therefore, why not plastic forms in motion?... one can compose motions.”

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

“Duchamp named the mobiles and Arp the stabiles. Arp said, "What did you call those things you exhibited last year? Stabiles?"”

Question, Is it true that Marcel Duchamp invented the name “mobile” for your work?
1950s - 1960s, interview with Alexander Calder', (1962)

“.. the elimination of other things which are not essential will make for a stronger result.”

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

“It was early one morning on a calm sea, off Guatemala, when over my couch - a coil of rope - I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.”

Quote in his autobiography (1922); as cited in 'Calder' 1966, pp. 54–55; as quoted on Wikipedia: Alexander Calder
In June 1922, Calder found work as a mechanic on the passenger ship H. F. Alexander. Calder slept on deck and awoke one early morning off the Guatemalan Coast; he saw both the sun rising and the full moon setting on opposite horizons
1920s

“[to Mondrian:] Maybe you should take all these red, yellow and blue elements off the canvas and let them hang in the air, so they can move. [Mondrian reacted: 'Well, I think my paintings are fast enough already..”

Quote (1930), from a studio-visit at Mondrian's place in Paris, as cited by by Mondrian's recent biographer Hans Janssen, of the Gemeentemuseum in The Hague; as cited by Alastair Sooke, in 'Mondrian - the Joy of Being Square'; BBC culture, 10 July 2017 http://www.bbc.com/culture/story/20170710-mondrian-the-joy-of-being-square
1930s - 1950s

“Wire, rods, sheet metal have strength, even in very attenuated forms, and respond quickly to whatever sort of work one may subject them to. Contrasts in mass or weight are feasible, too, according to the gauge, or to the kind of metal used, so that physical laws, as well as aesthetic concepts, can be held to. There is of course a close alliance between physics and aesthetics.”

Quote of Calder (1943) in his essay A Propos of Measuring a Mobile, Calder Foundation; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p. 19
1930s - 1950s

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

In Montparnasse, I became known as the 'King of Wire'.

Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26

Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

“Marcel Duchamp's 'Nude descending the stairs' is the result of the desire for motion. Here he has also eliminated representative form. This avoids the connotation of ideas which would interfere with the success of the main issue - the sense of movement.”

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)
Source: en.wikiquote.org - Alexander Calder / Quotes of Alexander Calder / 1930s - 1950s / Statement from Modern Painting and Sculpture', (1933)

“Question, What artists do you most admire?”

1950s - 1960s, interview with Alexander Calder', (1962)

“How can art be realized?”

1930s - 1950s

“Goya, Miró, Matisse, Bosch and Klee.”

Question, What artists do you most admire?
1950s - 1960s, interview with Alexander Calder', (1962)

“The aesthetic value of these objects cannot be arrived at by reasoning. Familiarization is necessary.”

En.wikiquote.org - Alexander Calder / Quotes / 1930s / Statement from Modern Painting and Sculpture (1933)
1930s, Statement from Modern Painting and Sculpture (1933)

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