Quotes about beauty and appearance

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“I trust in Nature for the stable laws
Of beauty and utility. Spring shall plant
And Autumn garner to the end of time.
I trust in God,—the right shall be the right
And other than the wrong, while he endures.
I trust in my own soul, that can perceive
The outward and the inward,—Nature's good
And God's.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

A Soul's Tragedy (1846), Act. i.

“If you get simple beauty and naught else,
You get about the best thing God invents.”

Robert Browning Men and Women

"Fra Lippo Lippi", line 217.
Men and Women (1855)
Source: The Poems of Robert Browning

“In education dwells the seed of hope: hope for peace and justice, hope for beauty and goodness; hope for social harmony.”

Pope Francis (1936) 266th Pope of the Catholic Church

2020s, 2021
Source: Cited in Pope Francis: Art creates brotherhood and friendship https://www.vaticannews.va/en/pope/news/2021-12/pope-francis-art-creates-brotherhood-and-friendship.html in the Vatican News. (15 December 2021)

“This is the Church’s destination: it is, as the Bible says, the “new Jerusalem”, “Paradise”. More than a place, it is a “state” of soul in which our deepest hopes are fulfilled in superabundance and our being, as creatures and as children of God, reach their full maturity. We will finally be clothed in the joy, peace and love of God, completely, without any limit, and we will come face to face with Him! (cf. 1 Cor 13:12). It is beautiful to think of this, to think of Heaven. We will all be there together. It is beautiful, it gives strength to the soul. … At the same time, Sacred Scripture teaches us that the fulfillment of this marvellous plan cannot but involve everything that surrounds us and came from the heart and mind of God. The Apostle Paul says it explicitly, when he says that “Creation itself will be set free from its bondage to decay and obtain the glorious liberty of the children of God” (Rom 8:21). Other texts utilize the image of a “new heaven” and a “new earth” (cf. 2 Pet 3:13; Rev 21:1), in the sense that the whole universe will be renewed and will be freed once and for all from every trace of evil and from death itself. What lies ahead is the fulfillment of a transformation that in reality is already happening, beginning with the death and resurrection of Christ. Hence, it is the new creation; it is not, therefore, the annihilation of the cosmos and of everything around us, but the bringing of all things into the fullness of being, of truth and of beauty.”

Pope Francis (1936) 266th Pope of the Catholic Church

"General Audience", in Saint Peter's Square (26 November 2014) https://w2.vatican.va/content/francesco/en/audiences/2014/documents/papa-francesco_20141126_udienza-generale.html.
2010s, 2014

“Saint Francis of Assisi… felt called to care for all that exists. His disciple Saint Bonaventure tells us that, “from a reflection on the primary source of all things, filled with even more abundant piety, he would call creatures, no matter how small, by the name of ‘brother’ or ‘sister’”. Such a conviction cannot be written off as naive romanticism, for it affects the choices which determine our behaviour. If we approach nature and the environment without this openness to awe and wonder, if we no longer speak the language of fraternity and beauty in our relationship with the world, our attitude will be that of masters, consumers, ruthless exploiters, unable to set limits on their immediate needs. By contrast, if we feel intimately united with all that exists, then sobriety and care will well up spontaneously. The poverty and austerity of Saint Francis were no mere veneer of asceticism, but something much more radical: a refusal to turn reality into an object simply to be used and controlled.”

Pope Francis (1936) 266th Pope of the Catholic Church

§ 11
2010s, 2015, Laudato si' : Care for Our Common Home

“Christ’s resurrection is not an event of the past; it contains a vital power which has permeated this world. Where all seems to be dead, signs of the resurrection suddenly spring up. It is an irresistible force. Often it seems that God does not exist: all around us we see persistent injustice, evil, indifference and cruelty. But it is also true that in the midst of darkness something new always springs to life and sooner or later produces fruit. On razed land life breaks through, stubbornly yet invincibly. However dark things are, goodness always re-emerges and spreads. Each day in our world beauty is born anew, it rises transformed through the storms of history. Values always tend to reappear under new guises, and human beings have arisen time after time from situations that seemed doomed. Such is the power of the resurrection, and all who evangelize are instruments of that power.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 276
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

“At the same time, new difficulties are constantly surfacing: experiences of failure and the human weaknesses which bring so much pain. We all know from experience that sometimes a task does not bring the satisfaction we seek, results are few and changes are slow, and we are tempted to grow weary. Yet lowering our arms momentarily out of weariness is not the same as lowering them for good, overcome by chronic discontent and by a listlessness that parches the soul. It also happens that our hearts can tire of the struggle because in the end we are caught up in ourselves, in a careerism which thirsts for recognition, applause, rewards and status. In this case we do not lower our arms, but we no longer grasp what we seek, the resurrection is not there. In cases like these, the Gospel, the most beautiful message that this world can offer, is buried under a pile of excuses.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 277
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

“Every form of catechesis would do well to attend to the “way of beauty” (via pulchritudinis). Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendour and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. This has nothing to do with fostering an aesthetic relativism which would downplay the inseparable bond between truth, goodness and beauty, but rather a renewed esteem for beauty as a means of touching the human heart and enabling the truth and goodness of the Risen Christ to radiate within it. If, as Saint Augustine says, we love only that which is beautiful, the incarnate Son, as the revelation of infinite beauty, is supremely lovable and draws us to himself with bonds of love. So a formation in the via pulchritudinis ought to be part of our effort to pass on the faith. Each particular Church should encourage the use of the arts in evangelization, building on the treasures of the past but also drawing upon the wide variety of contemporary expressions so as to transmit the faith in a new “language of parables”. We must be bold enough to discover new signs and new symbols, new flesh to embody and communicate the word, and different forms of beauty which are valued in different cultural settings, including those unconventional modes of beauty which may mean little to the evangelizers, yet prove particularly attractive for others.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 167
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

“… exclude the need for appearances: what counts is not appearances; the value of life does not depend on the approval of others or on success, but on what we have inside us.”

Pope Francis (1936) 266th Pope of the Catholic Church

As quoted in "Imposition of the Ashes - Homily of pope Francis" at www.vatican.va (5 March 2014) http://www.vatican.va/holy_father/francesco/homilies/2014/documents/papa-francesco_20140305_omelia-ceneri_en.html
2010s, 2014

“The KGB, in Kalugin’s view, was more successful than the CIA, partly because of its skill in exploiting the corruption which became endemic under Indira Gandhi’s regime. As Inder Malhotra noted, though corruption was not new in India: People expected Indira Gandhi’s party, committed to bringing socialism to the country, to be more honest and cleaner than the old undivided Congress. But this turned out to be a vain hope. On the contrary, compared with the amassing of wealth by some of her close associates, the misdeeds of the discarded Syndicate leaders, once looked upon as godfathers of corrupt Congressmen, began to appear trivial.”

Indíra Gándhí (1917–1984) Indian politician and Prime Minister

The Mitrokhin Archive

“India under Indira Gandhi was also probably the arena for more KGB active measures than anywhere else in the world, though their significance appears to have been considerably exaggerated by the Centre, which overestimated its ability to manipulate Indian opinion.”

Indíra Gándhí (1917–1984) Indian politician and Prime Minister

The Mitrokhin Archive

“What appears as the positive is essentially the negative, i. e. the thing that is to be criticized.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: Lectures on Negative Dialectics (1965-66), p. 18

“To be sure, exchange-value exerts its power in a special way in the realm of cultural goods. For in the world of commodities this realm appears to be exempted from the power of exchange, to be in an immediate relationship with the goods, and it is this appearance in turn which alone gives cultural goods their exchange-value. But they nevertheless simultaneously fall completely into the world of commodities, are produced for the market, and are aimed at the market.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 279

“They are not only the warrior caste who shout as they fight and have joy of it, not only those whom universal slavery has clothed in magic power, the mighty by birth, who tower here and there above the prostration of the human race and will take their sudden stand by the scales of justice when they think they see great profit to gain; not only these, but whole multitudes who minister consciously or unconsciously to their fearful privilege.
"There are those who say," now cries one of the somber and compelling talkers, extending his hand as though he could see the pageant, "there are those who say, 'How fine they are!'"
"And those who say, 'The nations hate each other!'"
"And those who say, 'I get fat on war, and my belly matures on it!'"
"And those who say, 'There has always been war, so there always will be!'"
"There are those who say, 'I can't see farther than the end of my nose, and I forbid others to see farther!'."”

Henri Barbusse book Under Fire

Under Fire (1916), Ch. 24 - The Dawn

“All is madness. And there is no one who will dare to rise and say that all is not madness, and that the future does not so appear — as fatal and unchangeable as a memory.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XVI - De Profundis Clamavi
Context: All is madness. And there is no one who will dare to rise and say that all is not madness, and that the future does not so appear — as fatal and unchangeable as a memory.
But how many men will there be who will dare, in face of the universal deluge which will be at the end as it was in the beginning, to get up and cry "No!" who will pronounce the terrible and irrefutable issue: —
"No! The interests of the people and the interests of all their present overlords are not the same.

“I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.
Here they will pass again, day after day, year after year, all the prisoners of rooms will pass with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. Here below they will seek a perfect union of hearts. Up above they will seek everlastingness among the shades and a God in the clouds.

“The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI
Context: The woman from the depths of her rags, a waif, a martyr — smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day. She loved the chilly dawn, the sultry noontime, the dreamy evening. The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world.

“Truth is more beautiful than dreams”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face
Context: What is there within us to-night? What is this sound of wings? Are our eyes opening as fast as night falls? Formerly, we had the sensual lovers' animal dread of nothingness; but to-day, the simplest and richest proof of our love is that the supreme meaning of death to us is — leaving each other.
And the bond of the flesh — neither are we afraid to think and speak of that, saying that we were so joined together that we knew each other completely, that our bodies have searched each other. This memory, this brand in the flesh, has its profound value; and the preference which reciprocally graces two beings like ourselves is made of all that they have and all that they had.
I stand up in front of Marie — already almost a convert — and I tremble and totter, so much is my heart my master: —
"Truth is more beautiful than dreams, you see."

“You can form no idea of the beauty that is possible!”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXII - Light
Context: You can form no idea of the beauty that is possible! You cannot imagine what all the squandered treasure can provide, what can be brought on by the resurrection of misguided human intelligence, successively smothered and slain hitherto by infamous slavery, by the despicable infectious necessity of armed attack and defense, and by the privileges which debase human worth. You can have no notion what human intelligence may one day find of new adoration. The people's absolute reign will give to literature and the arts — whose harmonious shape is still but roughly sketched — a splendor boundless as the rest. National cliques cultivate narrowness and ignorance, they cause originality to waste away; and the national academies, to which a residue of superstition lends respect, are only pompous ways of upholding ruins.

“The noblest and most fruitful work of the human intelligence is to make a clean sweep of every enforced idea — of advantages or meanings — and to go right through appearances in search of the eternal bases.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXII - Light
Context: The noblest and most fruitful work of the human intelligence is to make a clean sweep of every enforced idea — of advantages or meanings — and to go right through appearances in search of the eternal bases. Thus you will clearly see the moral law at the beginning of all things, and the conception of justice and equality will appear to you beautiful as daylight.
Strong in that supreme simplicity, you shall say: I am the people of the peoples; therefore I am the King of Kings, and I will that sovereignty flows everywhere from me, since I am might and right. I want no more despots, confessed or otherwise, great or little; I know, and I want no more.

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