"The Daring Young Man on the Flying Trapeze"
The Daring Young Man on the Flying Trapeze (1934)
Context: Then swiftly, neatly, with the grace of the young man on the trapeze, he was gone from his body.
For an eternal moment he was still all things at once: the bird, the fish, the rodent, the reptile, and man. An ocean of print undulated endlessly and darkly before him. The city burned. The herded crowd rioted. The earth circled away, and knowing that he did so, he turned his lost face to the empty sky and became dreamless, unalive, perfect.
William Saroyan: Man
William Saroyan was American writer. Explore interesting quotes on man.“The writer is a spiritual anarchist, as in the depth of his soul every man is.”
The William Saroyan Reader (1958)
Context: The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's best friend and only true enemy — the good and great enemy. He neither walks with the multitude nor cheers with them. The writer who is a writer is a rebel who never stops.
Jim Dandy : Fat Man in a Famine (1947)
Context: Somewhere among every man's ancestors is a prince or a lord, a priest or a saint, and don't forget it. Wake up! Inherit the wealth of your ancestors!.. Stop living like a mouse, live like the rich people do.
"The Beggars" in The William Saroyan Reader (1958)
Context: Every man alive in the world is a beggar of one sort or another, every last one of them, great and small. The priest begs God for grace, and the king begs something for something. Sometimes he begs the people for loyalty, sometimes he begs God to forgive him. No man in the world can have endured ten years without having begged God to forgive him.
The Resurrection of a Life (1935)
Context: I cannot see the war as historians see it. Those clever fellows study all the facts and they see the war as a large thing, one of the biggest events in the legend of the man, something general, involving multitudes. I see it as a large thing too, only I break it into small units of one man at a time, and see it as a large and monstrous thing for each man involved. I see the war as death in one form or another for men dressed as soldiers, and all the men who survived the war, including myself, I see as men who died with their brothers, dressed as soldiers. There is no such thing as a soldier. I see death as a private event, the destruction of the universe in the brain and in the senses of one man, and I cannot see any man's death as a contributing factor in the success or failure of a military campaign.
Hello Out There (1941)
Context: I have read books about the behavior of mobs — The Mob by Le Bon, if I remember rightly, was one — about the crime in children, and the genius in them, about the greatest bodies of things, and about the littlest of them. I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.
The Bicycle Rider In Beverly Hills (1952)
The Bicycle Rider In Beverly Hills (1952)
“A man's ethnic identity has more to do with a personal awareness than with geography.”
"The Armenian and the Armenian".
Inhale and Exhale (1936)
“It is the heart of man that I am trying to imply in this work.”
Seventy Thousand Assyrians (1934)
On Armenian poet Yegishe Charentz, whom Saroyan met in Moscow in June, 1935.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Inhale and Exhale (1936), Antranik and the Spirit of Armenia
Hello Out There (1941)
Here Comes There Goes You Know Who (1961)
Hello Out There (1941)
“The idiot is indeed the good man, but only because he doesn't know any better.”
Sons Come and Go, Mothers Hang in Forever (1976)