Source: Neuromancer (1984)
Context: Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts… A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...

“I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign.”

William Gibson

"Since 1948" (6 November 2002) http://www.williamgibsonbooks.com/source/source.asp <br class="br">Context: I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.<br>And have been, ever since. <br class="br">Context: In 1977, facing first-time parenthood and an absolute lack of enthusiasm for anything like "career," I found myself dusting off my twelve-year-old's interest in science fiction. Simultaneously, weird noises were being heard from New York and London. I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.<br>And have been, ever since.

“I'd buy him a drink, but I don't know if I'd loan him any money.”

William Gibson

When asked what he would say about the man who wrote Neuromancer.
No Maps for These Territories (2000)

“Seated each afternoon in the darkened screening room, Halliday came to recognize the targeted numerals of the Academy leader as sigils preceding the dream state of a film.”

William Gibson

A sentence that he worked on for years earlier in his career, which eventually went nowhere. Troubled by inexperience in "actually getting the characters to move," he spent so much time on it that he can still remember every word more than 20 years later.
No Maps for These Territories (2000)

“Another example — maybe a better one, in a way — was when it was confirmed that Michael Jackson was going to marry Elvis Presley's daughter. [loud, game-show buzzer noise] A good friend of mine in the States faxed me, and he simply … he said, "This makes your job more difficult." And I knew exactly, I knew exactly what he meant. 'Cos something … a scenario that seemed to belong to the universe of the late Terry Southern, was suddenly, suddenly real. It's that truth-is-stranger-than-fiction factor keeps getting jacked up on us on a fairly regular, maybe even exponential, basis. I think that's something peculiar to our time. I don't think our grandparents had to live with that.”

William Gibson

No Maps for These Territories (2000)

“They sat around accessing media all day and talking about it, and nothing ever seemed to get done.”

William Gibson book All Tomorrow's Parties

Source: All Tomorrow's Parties‎ (2003), Ch. 7 : Sharehouse, p. 33

“The future is not google-able.”

William Gibson

Comments at A Clean Well-Lighted Place for Books, San Francisco, California (5 February 2004)

“The old man reminded Tito of those ghost-signs, fading high on the windowless sides of blackened buildings, spelling out the names of products made meaningless by time.
If Tito were to see one of those announcing the very latest, the most recent and terrible news, yet could know that it had always been there, fading, through every kind of weather, unnoticed until today, that might feel something like meeting the old man in Washington Square, beside the concrete chess tables, and carefully passing him an iPod, beneath a folded newspaper.…
Sensing an immense patience, and power, Tito imagined that this old man, for reasons of his own, disguised himself as a revenant from Lower Manhattan's past. Each time the old man received another iPod, accepting it the way an ancient and sagacious ape might accept a piece of some not particularly interesting fruit, Tito half-expected him to crack its virginal white case like a nut, and then to draw forth something utterly peculiar, utterly dire, and somehow terrible in its contemporaneity.”

William Gibson book Spook Country

Source: Spook Country‎ (2007), Ch. 2, Ants in the Water