Paris Review interview (1958)
Context: No one is without Christianity, if we agree on what we mean by that word. It is every individual’s individual code of behavior by means of which he makes himself a better human being than his nature wants to be, if he followed his nature only. Whatever its symbol — cross or crescent or whatever — that symbol is man’s reminder of his duty inside the human race. Its various allegories are the charts against which he measures himself and learns to know what he is. It cannot teach a man to be good as the textbook teaches him mathematics. It shows him how to discover himself, evolve for himself a moral codes and standard within his capacities and aspirations, by giving him a matchless example of suffering and sacrifice and the promise of hope.
William Faulkner: Man
William Faulkner was American writer. Explore interesting quotes on man.
Paris Review interview (1958)
Context: The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.
Source: The Sound and the Fury (1929)
Variant: the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat
Gavin Stevens in Ch. 6
The Mansion (1959)
Paris Review interview (1958)
V. K. Ratliff about Gavin Stevens in Ch. 6
The Mansion (1959)
Last paragraph, Act 3, The Jail (Nor even yet quite relinquish —)
Requiem for a Nun (1951)
Charles Mallinson in Ch. 19; Charles Mallinson's mother, Maggie, and his uncle, Gavin Stevens, besides being their parents' only children, are twins.
The Town (1957)
Paris Review interview (1958)
Nobel Prize acceptance speech (1950)
The opening sentence of the novel, Ch. 1
Intruder in the Dust (1948)