Vytautas Juozapaitis: Most

Vytautas Juozapaitis is Lithuanian opera singer. Explore interesting quotes on most.
Vytautas Juozapaitis: 48   quotes 2   likes

“What can I write about Vytautas Juozapaitis? Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill… you get the idea. The name may not trip off American tongues with ease… yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!”

Vytautas Juozapaitis

Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287

Music , Idea , Understanding , Nature

“Young Lithuanian baritone Vytautas Juozapaitis was well cast as the suave serial seducer with his aristocratic good looks and deep voice. Most women would find him charismatic if not irresistible. From the first moments it became evident that this company, with attractive sets and costumes, is miles ahead of most touring troupes. Theatrically and musically gratifying were the other cast members, all with international experience.”

Vytautas Juozapaitis

Corrine Dunn, "A polished Don Giovanni graces the Phil Stage", Naples Daily News (November, 2003) http://www.jennykellyproductions.com/prod_mozart_review.htm

Women , Music

“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Vytautas Juozapaitis

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

Art , Nature , Thinking , Strong

“Most noteworthy was Vytautas Juozapaitis in the title role. He nailed the role with his well projected baritone.”

Vytautas Juozapaitis

"Don Giovanni showcases singers", The Desert Sun (November, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

“The slim and agile baritone, Vytas Juozapaitis, portrayed the Don as a self centered nobleman. He sang with a pleasant voice, and unlike most interpreters of the role, he had no trouble tossing off the 'Champagne Aria' at top speed.”

Vytautas Juozapaitis

Opera Japonica (October, 2003)

Speed

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Pleasure , Smile , Music , Imagination