Umberto Eco: Trending quotes (page 6)

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“I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.”

Quoted in Myriem Bouzaher's introduction to the French version of The Name of the Rose, Postille al Nome della Rosa, Page 18 (1985)

“In the United States, politics is a profession, whereas in Europe it is a right and a duty.”

Preface to the American edition of Travels in Hyperreality (1986)

“I don't miss my youth. I'm glad I had one, but I wouldn't like to start over.”

"On the Disadvantages and Advantages of Death" in La mort et l'immortalié, edited by Frédéric Lenoir (2004)

“The language of Europe is translation.”

Statement in a lecture at the Assises de la Traduction littéraire in Arles (14 November 1993) http://www.eutrio.be/language-europe-translation

“The hand of God creates; it does not conceal.”

William of Baskerville
The Name of the Rose (1980)

“There is only one thing that arouses animals more than pleasure, and that is pain. Under torture you are as if under the dominion of those grasses that produce visions. Everything you have heard told, everything you have read returns to your mind, as if you were being transported, not toward heaven, but towards hell. Under torture you say not only what the inquisitor wants, but also what you imagine might please him, because a bond (this, truly, diabolical) is established between you and him.”

William of Baskerville http://books.google.com/books?id=XY2vXKsHbzIC&q="There+is+only+one+thing+that+arouses+animals+more+than+pleasure+and+that+is+pain+Under+torture+you+are+as+if+under+the+dominion+of+those+grasses+that+produce+visions+Everything+you+have+heard+told+everything+you+have+read+returns+to+your+mind+as+if+you+were+being+transported+not+toward+heaven+but+towards+helll+Under+torture+you+say+not+only+what+the+inquisitor+wants+but+also+what+you+imagine+might+please+him+because+a+bond+this+truly+diabolical+is+established+between+you+and+him"&pg=PA73#v=onepage
The Name of the Rose (1980)

“I am mimetic. If I write a book set in the seventeenth century, I write in a Baroque style. If I’m writing a book set in a newspaper office, I write in Journalese.”

quoted in Marco Belpoliti, " Umberto Eco: How I Wrote my Books http://en.doppiozero.com/materiali/interviste/umberto-eco-how-I-wrote-my-books" (2015)

“The basic principle [of hermetic drift semiotics] is not only that the similar can be known through the similar but also that from similarity to similarity everything can be connected with everything else, so that everything can be in turn either the expression or the content of any other thing.”

U. Eco (1990), The limits of Intepretation, as quoted in Thomas A. Sebeok, Jean Umiker-Sebeok (2020), The Semiotic Web 1991: Biosemiotics https://books.google.it/books?id=NUK0DwAAQBAJ&pg=PA53.