Titian: Other

“Most Illustrious Lord and My Lord, I received the other day, with due reverence your Lordship's letter, together with the canvas and framing. Having read and noted the contents, I considered them so pretty and ingenious as to require no improvement of any kind; and the more I thought over it the more I became convinced that the greatness of art amongst the ancients was due to the assistance they received from great princes content to leave to the painters the credit and renown derived from their own ingenuity in bespeaking pictures. Can I therefore doubt that, if God enables me to satisfy in any part the wishes of Your Lordship, I shall have all credit for my labour? Yet I shall, after all have done no more than give shape to that which received its spirit — the most essential part — from Your Excellency.”

Titian

In a letter to the Duke Alfonso of Ferrara, From Venice, April 1, 1518; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account ..., publisher John Murray, London, 1877, p. 181-82
1510-1540

God , Art , Reading , Parting

“I, Titian of Cadore, having studied painting from childhood upwards, and desirous of fame rather than profit, wish to serve the Doge and Signori, rather than his Highness the Pope and other Signori, who in past days, and even now, have urgently asked to employ me: I am therefore anxious, if it should appear feasible, to paint in the Hall of Council, beginning, if it please their sublimity, with the canvas of 'The Battle' on the side towards the Piazza, which is so difficult that no one as yet has had courage to attempt it…”

Titian

Quote from a petition presented by Titian, and read on the 31st of May, 1513, before the Council of ten of Venice; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 153-154
The chiefs of the Council on the day in question accepted Titian's offer. Sharp monitions reminded him in 1518, 1522 and 1537 that he should complete 'The Battle', he did not until 1539
1510-1540
Source: http://www.everypainterpaintshimself.com/article/titians_battle_of_cadore_1538-9

Courage , Study , Appearance , Past

“[I wish]to engrave and distribute [the prints] for the benefit and knowledge and use of painters and sculptors and other knowledge-able persons.”

Titian

official document, 1567; as quoted by Bruce Kohl in Titian and Venetian Painting, 1450-1590; publishers Westview Press, 1999, p. 117
In 1567 Titian applied to the Venetian senate for a fifteen-year copyright privilege for engravings, made after his work. The Dutch artist Cornelis Cort produced prints after Titian's work, all made in collaboration, in 1555-56 and 1571-72
1541-1576

Knowledge , Personality

“Most Illustrious, &c,— It was not necessary for your Excellency to remind me by letter or the gift of a rich cassock of the pictures, which I have altogether at heart, knowing as I do under what obligation I am for many kindnesses.... Many days have passed since I gave one of the pictures to the ambassador to send to your Excellency. Five others are in a fair way, which I shall finish on hearing that the first was satisfactory, or the reverse, regulating my work accordingly. And so I shall proceed by degrees to the end, when I shall hope to have well served your Excellency. In the meantime, it would be a great favour to me if your Excellency would liberate my benefice from the pension payable upon it, which, besides causing me a loss in money which I pay out yearly, creates not a little trouble and disturbance because of the persons with whom I am pestered, out of whose hands your Excellency alone can save me. I beg, I supplicate your Excellency to do this.... which alone would suffice to make me your Excellency's perpetual slave.”

Titian

In a letter to the Duke of Mantua, from Venice, 6 April 1537; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 421
1510-1540

Money , Hope , Way , Loss

“Most high and important Signor, Having recently obtained a 'Queen of Persia' of some quality, which I thought worthy of appearing before your Highness' [= Prince Philip II] exalted presence, I had her sent, pending the time when other works of mine were drying, to take embassies from me to your Highness, and be company to the landscape and [a] St. Margaret, previously sent by Ambassador [Fransesco] Vargas.... Most high and potent Signor's servant, who kisses your feet, Titiano Vecellio.”

Titian

In a letter to Philip II, then still Prince of Spain, sent from Venice 11th Oct. 1552; as quoted in Titian: his life and times - With some account of his family... Vol. 2. J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 218
For the first time in the annals of Italian painting history we are informed by this letter about a painting which is nothing more than a landscape! According to reports of visitors [for instance Aurelio Luini ] of Titian's studio, he very probably painted more landscapes, but all of them are perished.
1541-1576

Kiss , Appearance , Time

“.. I kissed the hand of Don Alvise Davila, who said he was your friend, and begged me to tell you he would soon prove it. I would have done the same by Signor Antonio da Leva, but that there was no time. He came to see the Emperor [Charles V], and only staid half a day, and there were so many visitors that I could not kiss his hand. But should we meet I shall do my duty, and attend to your interests without regard to the consequences. No more on this head. Here nothing is heard but the roll of drums, and everyone is starting for France. I hope soon to be with you, when we shall have much to say to each other. Bas las manos a vuestra merced and also those of Alvise Anichini.”

Titian

Quote in his letter to Titian's friend and agent Pietro Aretino, From Asti, 31 May, 1536; in Lettere a Pietro Aretino, i. p. 146 and reprinted in Ticozzi (Vecelli, p. 309); transl. J.A.Y. Crowe & G.B. Cavalcaselle
At Asti, it would seem, Titian was quite in Spanish waters. He doubtless met and perhaps again portrayed the Emperor Charles V.
1510-1540

Hope , Kiss , Time

“Your Excellency, I went without delay to the well of which Y. E. had written, and made a sketch of it, from which Y. E. will see how the matter stands; but I wish that sketch not to go alone, so send another with it of a well after the fashion of this country. Should these drawings appear to have been done in a manner not agreeable to the greatness of your illustrious Signorina, or in accordance with my humble desire to serve Y. E., I hope to be excused; and that Y. E. will ascribe, the cause to an earnest longing that the work should be done rapidly. I am entirely at command should the drawings be considered unsatisfactory, and am ready to furnish others..”

Titian

Quote from Titian's letter to the Duke Alfonso of Ferrara, From Venice, Feb. 19, 1517; from the original in Marquis Campori's Tiziano e gli Estensi, p. 5; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account ..., publisher John Murray, London, 1877, p. 178-79
1510-1540

Hope , Fashion , Appearance , Drawing