Titian: Day

“Most Illustrious Lord and My Lord, I received the other day, with due reverence your Lordship's letter, together with the canvas and framing. Having read and noted the contents, I considered them so pretty and ingenious as to require no improvement of any kind; and the more I thought over it the more I became convinced that the greatness of art amongst the ancients was due to the assistance they received from great princes content to leave to the painters the credit and renown derived from their own ingenuity in bespeaking pictures. Can I therefore doubt that, if God enables me to satisfy in any part the wishes of Your Lordship, I shall have all credit for my labour? Yet I shall, after all have done no more than give shape to that which received its spirit — the most essential part — from Your Excellency.”

Titian

In a letter to the Duke Alfonso of Ferrara, From Venice, April 1, 1518; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account ..., publisher John Murray, London, 1877, p. 181-82
1510-1540

God , Art , Reading , Parting

“His Majesty [emperor Charles V], [in his court in Augsburg] sent for me. After the usual courtesies and examination of the pictures which I have brought, he asked for news of you.... I replied that at Venice, in Rome and in all Italy the public assumed that his Holiness [the new Pope], was well minded to make you.. [Cardinal] upon which Caesar [= Charles V] showed signs of pleasure in his face, saying he would greatly rejoice at such an event, which could not fail to please you, and so, dear brother [= close friend], I have done for you such service as I owe to a friend of your standing.... not a day passes but the Duke of Alva speaks to me of the 'divine Aretini', because he loves you so much..”

Titian

Quote in Titian's letter to his friend Pietro Aretino in Venice, sent from Augsburg, 11 Nov. 1550, the original is in Lettere a P. Aretino' u.s. i. p. 147; as cited in Titian: his life and times - With some account of his family... Vol. 2. J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 198
1541-1576

Love , Pleasure

“I, Titian of Cadore, having studied painting from childhood upwards, and desirous of fame rather than profit, wish to serve the Doge and Signori, rather than his Highness the Pope and other Signori, who in past days, and even now, have urgently asked to employ me: I am therefore anxious, if it should appear feasible, to paint in the Hall of Council, beginning, if it please their sublimity, with the canvas of 'The Battle' on the side towards the Piazza, which is so difficult that no one as yet has had courage to attempt it…”

Titian

Quote from a petition presented by Titian, and read on the 31st of May, 1513, before the Council of ten of Venice; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 153-154
The chiefs of the Council on the day in question accepted Titian's offer. Sharp monitions reminded him in 1518, 1522 and 1537 that he should complete 'The Battle', he did not until 1539
1510-1540
Source: http://www.everypainterpaintshimself.com/article/titians_battle_of_cadore_1538-9

Courage , Study , Appearance , Past

“Most serene and Powerful King [Ferdinand], most Clement Lord,... The portraits of the serene daughters of your Majesty will be done in two days, and I shall take them to Venice, whence – having finished them with all diligence – I shall send them quickly to your Majesty. As soon as your Majesty has seen them, I am convinced I shall receive much greater favours than those which have been previously done me, and so I recommend myself humbly to your Majesty.”

Titian

Your Majesty's faithful servant, Titiano.
In a letter to King Ferdinand, from Innsbruck, 20th Oct 1548; original in the 'Appendix' in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 189
The king's daughters were nine and five years old, and a young baby in long clothes; the preparatory work of the paintings was probably done by Cesare Vecelli. Titian's share in these portraits was very slight; he added only a very little to the heads
1541-1576

Faith , Daughters

“Most Illustrious, &c,— It was not necessary for your Excellency to remind me by letter or the gift of a rich cassock of the pictures, which I have altogether at heart, knowing as I do under what obligation I am for many kindnesses.... Many days have passed since I gave one of the pictures to the ambassador to send to your Excellency. Five others are in a fair way, which I shall finish on hearing that the first was satisfactory, or the reverse, regulating my work accordingly. And so I shall proceed by degrees to the end, when I shall hope to have well served your Excellency. In the meantime, it would be a great favour to me if your Excellency would liberate my benefice from the pension payable upon it, which, besides causing me a loss in money which I pay out yearly, creates not a little trouble and disturbance because of the persons with whom I am pestered, out of whose hands your Excellency alone can save me. I beg, I supplicate your Excellency to do this.... which alone would suffice to make me your Excellency's perpetual slave.”

Titian

In a letter to the Duke of Mantua, from Venice, 6 April 1537; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 421
1510-1540

Money , Hope , Way , Loss

“.. I also send the picture of the 'Trinity' [also called La Gloria].... in my wish to satisfy your C. M. [Caesarean Majesty] I have not spared myself the pains of striking out two or three times the work of many days to bring it to perfection and satisfy myself, whereby more time was wasted than I usually take to do such things.... the portrait of Signor Vargas [agent of Charles V, who was paying Titian for his works] introduced into the work [very probably in the 'La Gloria' / 'Trinity'] was done at his request. If it should not please your C. M. any painter can, with a couple of [brush] strokes, convert it into another person.”

Titian

In a letter from Venice to the Spanish emperor Charles V in Bruxelles, 10 Sept. 1554; original in the 'Appendix' of Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 231-232
Titian is announcing in his letter the completion and the delivery of the paintings 'Trinity' and 'Addolorata' and probably a third painting 'Christ appearing to the Magdalen', for Mary of Hungary
1541-1576

Pain , Time , Personality , Perfection

“.. I kissed the hand of Don Alvise Davila, who said he was your friend, and begged me to tell you he would soon prove it. I would have done the same by Signor Antonio da Leva, but that there was no time. He came to see the Emperor [Charles V], and only staid half a day, and there were so many visitors that I could not kiss his hand. But should we meet I shall do my duty, and attend to your interests without regard to the consequences. No more on this head. Here nothing is heard but the roll of drums, and everyone is starting for France. I hope soon to be with you, when we shall have much to say to each other. Bas las manos a vuestra merced and also those of Alvise Anichini.”

Titian

Quote in his letter to Titian's friend and agent Pietro Aretino, From Asti, 31 May, 1536; in Lettere a Pietro Aretino, i. p. 146 and reprinted in Ticozzi (Vecelli, p. 309); transl. J.A.Y. Crowe & G.B. Cavalcaselle
At Asti, it would seem, Titian was quite in Spanish waters. He doubtless met and perhaps again portrayed the Emperor Charles V.
1510-1540

Hope , Kiss , Time