Thomas Gainsborough: Genius

Thomas Gainsborough was English portrait and landscape painter. Explore interesting quotes on genius.

Thomas Gainsborough: 56 quotes2 likes

“Many a real genius is lost in the fictitious character of the Gentleman. I am the most inconsistent, changeable being so full of fits and starts.”

Thomas Gainsborough

Quote in Gainsborough's letter, 14 Sept. 1767, to his friend William Jackson of Exeter; as cited in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
1755 - 1769

“I wish you would recollect that Painting and Punctuality mix like Oil and Vinegar, and that Genius and regularity are utter Enemies.”

Thomas Gainsborough

Quote of Gainsborough in a 'Letter to Edward Stratford' (a patron), 1 May 1772
1770 - 1788

“By God you are the only great man, except George Pitt, that I care a farthing for, or would wear out a pair of shoes in seeking after. Long-headed cunning people and rich fools are so plentiful in our country that I don’t fear getting now and then a face to paint for bread, but a man of genius with truth and simplicity, sense and good nature, I think worth his weight in gold - [signed:] 'Your Likeness Man”

Thomas Gainsborough

Quote in Gainsborough's letter to Hon. Constantine Phipps, undated; as cited in 'My Dear Maggoty Sir – The Letters of Thomas Gainsborough' http://thedabbler.co.uk/2011/10/my-dear-maggoty-sir-the-letters-of-thomas-gainsborough/, review by Roger Hudson, in Slightly Foxed, 18 Oct, 2011 <br class="br">undated

“We love a genius for what he leaves and mourn him for what he takes away.”

Thomas Gainsborough

Quote in Gainsborough's Letter to Henry Bate, 20th June 1787
1770 - 1788

“When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.... how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term[? ]. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.... he [Mr. Garrick] must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.”

Thomas Gainsborough

Quote in a letter of Gainbourough, 1772; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 88 <br class="br">1770 - 1788

“.. as I met with Mr. (Dunning there. There is something exclusive of the clear and deep understanding of that gentleman most exceedingly pleasing to me. He seems the only man who talks as Giardini plays, if you know what I mean; he puts no more motion than what goes to the real performance, which constitutes that ease and gentility peculiar to damned clever fellows... He is an amazing compact man in every respect.... and besides this neatness in outward appearance, his storeroom seems cleared of all French ornaments and gingerbread work, everything is simplicity and elegance and in its proper place, no disorder or confusion in the furniture.... Sober sense and great acuteness are marked very strong in his face.... but there is genius (in our sense of the word). (It) shines in all he says. In short, Mr. Jackson of Exeter [his friend], I begin to think there is something in the air of Devonshire that grows clever fellows. I could name four or five of you, superior to the product of any other county in England.”

Thomas Gainsborough

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 2 Sept. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 384 (Appendix A - Letter VII) <br class="br">1755 - 1769