The Mother: Use

“I was very young at that time, and always I used to tell myself that if ever I could do it, I would try to create a little world — Oh! quite a small one, but still — a small world where people would be able to live without having to be preoccupied by problems of food and lodging and clothing and the imperious necessities of life, to see if all the energies freed by this certainty of an assured material living would spontaneously be turned towards the divine life and inner realization.”

The Mother

In "Auroville — The City Of Dawn in South India" (27 February 2009)
Sayings

Life , People , World , Food

“It seems to me that I am being born into a new life and that all the methods and habits of the past can no longer be of any use. It seems to me that what was once a result is now only a preparation … It is as if I was stripped of all my past, of my errors as well as my conquests, as if all that had disappeared to give place to one new-born whose whole existence has yet to take shape … An immense gratitude rises from my heart. I seem to have at last arrived at the threshold which I have long sought.”

The Mother

How she felt when she sat down at the feet of Sri Aurobindo, quoted in "Diary notes and Meeting with Sri Aurobindo" and also in The Mother (of Sri Aurobindo Ashram) Prema Nandakumar of National Book Trust, India, (1977) http://books.google.co.in/books?id=R1sqAAAAYAAJ, p. 23

Life , Error , Past , Heart

“I started contemplating or doing my Yoga from the age of 4. There was a small chair for me on which I used to sit still, engrossed in my meditation. A very brilliant light would then descend over my head and produce some turmoil inside my brain. Of course I understood nothing, it was not the age for understanding. But gradually I began to feel, "I shall have to do some tremendously great work that nobody yet knows."”

The Mother

In Birth and Girlhood http://www.searchforlight.org/TheMother_lifeSketch1.htm, during her childhood days in when she was aware of her special purpose of life, her mission on earth, and also in On the Mother Divine by Pasupati Bhattacharya (1968) http://books.google.co.in/books?id=1loqAAAAYAAJ, p. 10

Age , Feeling , Understanding , Light

“When I was a child of about thirteen, for nearly a year every night as soon as I had gone to bed it seemed to me that I went out of my body and rose straight up above the house, then above the city, very high above. Then I used to see myself clad in a magnificent golden robe, much longer than myself; and as I rose higher, the robe would stretch, spreading out in a circle around me to form a kind of immense roof over the city. Then I would see men, women, children, old men, the sick, the unfortunate coming out from every side; they would gather under the outspread robe, begging for help, telling of their miseries, their suffering, their hardships. In reply, the robe, supple and alive, would extend towards each one of them individually, and as soon as they had touched it, they were comforted or healed, and went back into their bodies happier and stronger than they had come out of them.”

The Mother

Recording her experience in her book “Prayers and Meditations” quoted in "Birth and Girlhood". Also in Sri Aurobindo and the Mother: Glimpses of Their Experiments, Experiences … By Kireet Joshi (1 January 1989) http://books.google.co.in/books?id=wW-_IiNSARgC&pg=PA26, p. 26

Women , Men , Children , Suffering

“In the days when Sri Aurobindo used to give Darshan, before he gave it there was always a concentration of certain forces or of a certain realisation which he wanted to give people. And so each Darshan marked a stage forward; each time something was added. But that was at a time when the number of visitors was very limited.”

The Mother

In "The Formation Of The Ashram", also in Mother India Sri Aurobindo Ashram Trust (1987) http://books.google.co.in/books?id=T9Y5AAAAIAAJ, p. 474

People , Time

“I knew a painter, a disciple of Gustave Moreau; he was truly a very fine artist, he knew his work quite well, and then … he was starving, he did not know how to make both ends meet and he used to lament. Then one day, a well-wishing friend sent a picture-dealer to his studio. The latter inspected all his works, without discovering anything of interest: the works of the painter were simply not fashionable and therefore without commercial value. But at last the dealer found a canvas with some palette-scrapings in a dusty corner and was suddenly full of enthusiasm: "Here you are! my friend, you are a genius, this is a miracle, it is this you should show! Look at this richness of tones, this variety of forms, and what an imagination.”

The Mother

As quoted in Paris (1897-1904) http://www.searchforlight.org/TheMother_lifeSketchpart2.htm and also in Mother India: Monthly Review of Culture, Volume 60 by Sri Aurobindo Ashram ( 2007) http://books.google.co.in/books?id=01tMAQAAIAAJ, p. 131.

Imagination , Fashion

“I was lying in an easy-chair, in front of a garden. I saw that the spiritual power was still active in me: I could go on with occult experiments in spite of the illness. I used to concentrate on things and persons and circumstances and wanted to see if the power worked. It worked very well on the mental and vital planes. Then I broadened the field of activity. I could go on doing my work in various parts of France and America and other places. I could clearly see the faces of the persons worked upon. They could be made to do what they by themselves could not. These were controlled experiments … I could see that nothing could stop the work: even without my body the work could go on … Wherever the call was, I could attend.”

The Mother

Her notings in the diary when she was very ill in April 1915, quoted in "Diary notes and Meeting with Sri Aurobindo", also in Chapter 10 Return to France http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=_staticcontent/sriaurobindoashram/-00%20e-library@@@/-03%20disciples/k%20r%20srinivas%20iyengar/On%20The%20Mother/-12_Return%20to%20France.htm, p. 136

Lying , Parting , Personality