Roger Ebert: Movie

Roger Ebert was American film critic, author, journalist, and TV presenter. Explore interesting quotes on movie.

Roger Ebert: 528 quotes2 likes

“Pixar is the first studio that is a movie star.”

Twitter Feed https://twitter.com/ebertchicago/status/16740535371 (21 June 2010)

“I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-human-centipede-2010 of The Human Centipede (5 May 2010) Reviews, No star rating

“The movie is an exhausted retread of the old campus romance gag where the pretty girl almost believes the lies of the reprehensible schemer, instead of trusting the nice guy who loves her. The only originality the movie brings to this formula is to make it incomprehensible, through the lurching incompetence of its story structure. Details are labored while the big picture remains unpainted… I was appalled by the poverty of its imagination.”

Roger Ebert

Review http://www.rogerebert.com/reviews/slackers-2002 of Slackers (1 February 2002) Reviews, Zero star reviews

“The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"… As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.”

Roger Ebert

Review http://www.rogerebert.com/reviews/fear-and-loathing-in-las-vegas-1998 of Fear and Loathing in Las Vegas (22 May 1998) Reviews, One-star reviews

“I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.”

Roger Ebert

Review http://www.rogerebert.com/reviews/diary-of-a-mad-black-woman-2005 of Diary of a Mad Black Woman (25 February 2005) Reviews, One-star reviews

“Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.”

Roger Ebert

Review http://www.rogerebert.com/reviews/star-trek-ii-the-wrath-of-khan-1982 of Star Trek II: The Wrath of Khan (1 January 1982) Reviews, Three star reviews

“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

Roger Ebert

Awake in the Dark: The Best of Roger Ebert (2006)

“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

Roger Ebert

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004) Reviews, Two star reviews

“Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.”

Roger Ebert

Review http://www.rogerebert.com/reviews/valentines-day-2010 of Valentine's Day (10 February 2010) Reviews, Two star reviews

“Why did they give an R rating to a movie perfect for teenagers?”

Roger Ebert

Review http://www.rogerebert.com/reviews/almost-famous-2000 of Almost Famous (15 September 2000) Reviews, Four star reviews

“These days too many children's movies are infected by the virus of Winning, as if kids are nothing more than underage pro athletes, and the values of Vince Lombardi prevail: It's not how you play the game, but whether you win or lose. This is a movie that breaks with that tradition, that allows its kids to be kids, that shows them in the insular world of imagination and dreaming that children create entirely apart from adult domains and values. There was a moment in the film when Rodriguez hit a line drive directly at the pitcher's mound, and I ducked and held up my mitt, and then I realized I didn't have a mitt, and it was then I also realized how completely this movie had seduced me with its memories of what really matters when you are 12.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-sandlot-1993 of The Sandlot (7 April 1993) Reviews, Three star reviews

“The dialogue consists almost entirely of terse screams: Watch it! Incoming! Move! Look out! Fire! Move! The only characters I remember having four sentences in a row are the anchors on cable news. … Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you've been thinking it over, and you think you should consider spending some time apart.”

Roger Ebert

Review http://www.rogerebert.com/reviews/battle-los-angeles-2011 of Battle: Los Angeles (9 March 2011) Reviews, Half-star reviews

“Chaos is ugly, nihilistic, and cruel -- a film I regret having seen. I urge you to avoid it. Don't make the mistake of thinking it's 'only' a horror film, or a slasher film. It is an exercise in heartless cruelty and it ends with careless brutality. The movie denies not only the value of life, but the possibility of hope.”

Roger Ebert

Review http://www.rogerebert.com/reviews/chaos-2005 of Chaos (11 August 2005) Reviews, Zero star reviews